Lettrism in the context of Dada


Lettrism in the context of Dada

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⭐ Core Definition: Lettrism

Lettrism is a French avant-garde movement, established in Paris in the mid-1940s by Romanian immigrant Isidore Isou. In a body of work totaling hundreds of volumes, Isou and the Lettrists have applied their theories to all areas of art and culture, most notably in poetry, film, painting and political theory. The movement has its theoretical roots in Dada and Surrealism. Isou viewed his fellow countryman Tristan Tzara as the greatest creator and rightful leader of the Dada movement, and dismissed most of the others as plagiarists and falsifiers. Among the Surrealists, André Breton was a significant influence, but Isou was dissatisfied by what he saw as the stagnation and theoretical bankruptcy of the movement as it stood in the 1940s.

In French, the movement is called Lettrisme, from the French word for letter, arising from the fact that many of their early works centred on letters and other visual or spoken symbols. The Lettristes themselves prefer the spelling "Letterism" for the Anglicised term, and this is the form that is used on those rare occasions when they produce or supervise English translations of their writings: however, 'Lettrism' is at least as common in English usage. The term, having been the original name that was first given to the group, has lingered as a blanket term to cover all of their activities, even as many of these have moved away from any connection to letters. But other names have also been introduced, either for the group as a whole or for its activities in specific domains, such as 'the Isouian movement', 'youth uprising', 'hypergraphics', 'creatics', 'infinitesimal art' and 'excoördism'.

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Lettrism in the context of Digital poetry

Digital poetry is a form of electronic literature, displaying a wide range of approaches to poetry, with a prominent and crucial use of computers. Digital poetry can be available in form of CD-ROM, DVD, as installations in art galleries, in certain cases also recorded as digital video or films, as digital holograms, on the World Wide Web or Internet, and as mobile phone apps.

According to Saum-Pascual (2019), digital poetry is the artistic heir to the avant-garde movements of the second half of the 20th century, including Lettrism, concrete poetry, and conceptual poetry.

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Lettrism in the context of Letterist International

The Letterist International (LI) (L'Internationale lettriste (I.L.)) was a Paris-based collective of radical artists and cultural theorists between 1952 and 1957. It was created by Guy Debord and Gil J. Wolman rejoined by Jean-Louis Brau and Serge Berna as a schism from Isidore Isou's Lettrist group. The group went on to join others in forming the Situationist International, taking some key techniques and ideas with it.

'Letterist' (lettriste) was the form the group themselves used, as in their 1955 sticker: 'If you believe you have genius, or if you think you have only a brilliant intelligence, write the letterist internationale.' Though the spelling 'Lettrist' is also common in English, authors and translators such as Donald Nicholson-Smith, Simon Ford, Sadie Plant and Andrew Hussey use the 'Letterist International' spelling.

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Lettrism in the context of Isidore Isou

Isidore Isou (French: [izu]; 29 January 1925 – 28 July 2007), born Isidor Goldstein, was a Romanian-born French poet, dramaturge, novelist, film director, economist, and visual artist. He was the founder of Lettrism, an art and literary movement which owed inspiration to Dada and Surrealism.

An important figure in the mid-20th Century avant-garde, he is remembered in the cinema world chiefly for his revolutionary 1951 film Traité de Bave et d'Éternité, while his political writings are seen as foreshadowing the May 1968 movements.

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Lettrism in the context of Maurice Lemaître

Maurice Lemaître (French: [ləmɛːtʁ]; born Moïse Maurice Bismuth; 23 April 1926 – 2 July 2018) was a French Lettrist painter (known for his use of Hypergraphy), filmmaker, writer and poet. Lemaître was Isidore Isou's right-hand man for nearly half a century, but began to distancing himself from Lettrism in the 2000s.

Lemaître's paintings, films, photographs and sculptures have been shown in more than twenty personal exhibits in Europe and The United States. The Pompidou Center has acquired some of his paintings, and the Pérez Art Museum Miami, as well as the Musée d'Art Moderne de Paris, where in 1968, a large retrospective of his pictorial and film works took place. Poems by Lemaître were set to music by Michel Faleze and were sung by Marie-Thérèse Richol-Müller.

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