Leochares in the context of "Ancient Greek sculptor"

The Mausoleum at Halicarnassus or Tomb of Mausolus (Ancient Greek: Μαυσωλεῖον τῆς Ἁλικαρνασσοῦ; Turkish: Halikarnas Mozolesi) was a tomb built between 353 and 351 BC in Halicarnassus (present Bodrum, Turkey) for Mausolus, an Anatolian from Caria and a satrap in the Achaemenid Persian Empire, and his sister-wife Artemisia II of Caria. The structure was designed by the Greek architects Satyros and Pythius of Priene. Its elevated tomb structure is derived from the tombs of neighbouring Lycia, a territory Mausolus had invaded and annexed c. 360 BC, such as the Nereid Monument.

The Mausoleum was approximately 45 m (148 ft) in height, and the four sides were adorned with sculptural reliefs, each created by one of four Greek sculptors: Leochares, Bryaxis, Scopas of Paros, and Timotheus. The Mausoleum contained 400 freestanding sculptures. The mausoleum was considered to be such an aesthetic triumph that Antipater of Sidon identified it as one of his Seven Wonders of the Ancient World. It was destroyed by successive earthquakes from the 12th to the 15th century; it was the last surviving of the six destroyed wonders.

The Apollo Belvedere (also called the Belvedere Apollo, Apollo of the Belvedere, or Pythian Apollo) is a celebrated marble sculpture from classical antiquity.

The work has been dated to mid-way through the 2nd century A.D. and is considered to be a Roman copy of an original bronze statue created between 330 and 320 B.C. by the Greek sculptor Leochares. It was rediscovered in central Italy in the late 15th century during the Italian Renaissance and was placed on semi-public display in the Vatican Palace in 1511, where it remains. It is now in the Cortile del Belvedere of the Pio-Clementine Museum of the Vatican Museums complex.

Bryaxis (Ancient Greek: Βρύαξις or Βρύασσις; fl. 350 BC) was a Greek sculptor. He created the sculptures on the north side of the mausoleum of Maussollos at Halicarnassus which was commissioned by the queen Artemisia II of Caria in memory of her brother and husband, Mausolus. The three other greatest sculptors of their time, Leochares, Scopas and Timotheus, were each one responsible for one side of the grave. The tomb was completed three years after the death of Mausolus and one year after the death of Artemisia. Some authors allege that Bryaxis created a famous colossal statue of Serapis in the temple at Alexandria; however, according to Michaelis, Athenodoros Cananites expressly pointed out that the Bryaxis connected with the Alexandrian statue was merely a namesake of the famous Bryaxis. The works of Bryaxis include a bronze statue of Seleucus, king of Syria, five huge statues at Rhodes, and a statue of Apollo at Daphne near Antioch.

Classical sculpture (usually with a lower case "c") refers generally to sculpture from Ancient Greece and Ancient Rome, as well as the Hellenized and Romanized civilizations under their rule or influence, from about 500 BC to around 200 AD. It may also refer more precisely a period within Ancient Greek sculpture from around 500 BC to the onset of the Hellenistic style around 323 BC, in this case usually given a capital "C". The term "classical" is also widely used for a stylistic tendency in later sculpture, not restricted to works in a Neoclassical or classical style.

The main subject of Ancient Greek sculpture from its earliest days was the human figure, usually male and nude (or nearly so). Apart from the heads of portrait sculptures, the bodies were highly idealized but achieved an unprecedented degree of naturalism. In addition to freestanding statues, the term classical sculpture incorporates relief work, such as the frieze and metopes of the Parthenon.