Late Helladic in the context of "Aegean art"

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⭐ Core Definition: Late Helladic

Helladic chronology is a relative dating system used in archaeology and art history. It complements the Minoan chronology scheme devised by Sir Arthur Evans for the categorisation of Bronze Age artefacts from the Minoan civilization within a historical framework. Whereas Minoan chronology is specific to Crete, the cultural and geographical scope of Helladic chronology is confined to mainland Greece during the same timespan (c. 3200 – c. 1050 BC). Similarly, a Cycladic chronology system is used for artifacts found in the Aegean islands. Archaeological evidence shows that civilization developed at the same time across the region, so the three schemes align chronologically. They are grouped together as "Aegean" in terms such as Aegean art and, rather more controversially, Aegean civilization.

The systems derive primarily from changes in the style of pottery, which is a benchmark for relative dating of associated artifacts such as tools and weapons. On the basis of style and technique, Evans divided his Cretan Bronze Age pottery finds into three main periods which he called Early, Middle and Late Minoan. These were sub-divided into phases and some of those into sub-phases. The Helladic and Cycladic schemes were devised later and have similar sub-divisions. Evans' system has stood the test of time remarkably well but his labels do not provide firm dates because change is never constant and some styles were retained in use much longer than others. In fact it is partly this lack of dates that has been the strength of Evans's system; several of the dates Evans believed have certainly changed, and others remain under discussion, though within fairly narrow ranges, but the scheme just adjusts for such changes. Some pottery can be dated with reasonable precision by reference to Egyptian artifacts whose dates are more certain.

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Late Helladic in the context of Psi and phi type figurine

Psi, phi and tau were types of terracotta figurines made in Mycenaean Greece during the Late Helladic period. They were typically about 10 to 20 centimetres (3.9 to 7.9 in) high and are found in tombs, shrines and settlement areas. They fall into three distinct typologies, each named for the letter of the Greek alphabet that it resembles. The earliest such figures date to the Late Helladic II period (c. 1450 – c. 1400 BCE), and they continued to be made until the end of the Late Helladic III (c. 1050 BCE).

The figurines depict female forms, often wearing a polos headdress that may indicate a goddess or a worshipper. Some, known as the kourotrophos (lit.'child-rearer') type, include a model of an infant. The function and original meaning of these figures is unclear, and may not have been the same to all Mycenaeans or at all stages in the object's use-life: some are found in clearly sacred or ritual contexts, such as sanctuaries or as offerings in tombs, while others are found in domestic contexts, household rubbish, or used for utilitarian functions such as stopping a vessel or as part of the temper used in mud-brick building.

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Late Helladic in the context of Delphi Archaeological Museum

Delphi Archaeological museum (Greek: Αρχαιολογικό Μουσείο Δελφών) is one of the principal museums of Greece and one of the most visited. It is operated by the Greek Ministry of Culture (Ephorate of Antiquities of Phocis). Founded in 1903, it has been rearranged several times and houses the discoveries made at the Panhellenic sanctuary of Delphi, which date from the Late Helladic (Mycenean) period to the early Byzantine era.

Organised in fourteen rooms on two levels, the museum mainly displays statues, including the famous Charioteer of Delphi, architectural elements, like the frieze of the Siphnian Treasury and ex votos dedicated to the sanctuary of Pythian Apollo, like the Sphinx of Naxos. The exhibition floor space is more than 2270 m, while the storage and conservation rooms (mosaics, ceramics and metals) take up 558 m. Visitors are also catered to by an entrance hall, a cafeteria and a gift shop.

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Late Helladic in the context of Scotussa

Scotussa or Skotoussa (Ancient Greek: Σκοτοῦσσα or Σκοτοῦσα or Σκοτοτοῦσαι) was a town and polis (city-state) in the region of Pelasgiotis in ancient Thessaly. It was between Pherae and Pharsalus, near the border of Phthiotis, about 20 km (12 mi) to the west of Pherae.

Scotussa shows evidence of human activity from the Neolithic period onwards, including a Mycenaean settlement in the Late Helladic period which persisted into the Early Iron Age. It is not mentioned in Homer, though the geographer Strabo records an early tradition that the oracle of Dodona in Epirus originally came from this place. It was the home city of Polydamas, who won the pankration at the Olympic Games of 408 BCE. Xenophon records that the people of Scotussa, alongside the other peoples of Thessaly, fought against Agesilaus II of Sparta when he marched his forces through the region in 394 BCE. The city was taken by Alexander, tyrant of the nearby city of Pherae, in 367 BCE: it had previously been wealthy, and Alexander massacred its people, putting an end to its prosperity.

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