Late Antiquity in the context of "Sasanian Empire"

The Epic Cycle (Ancient Greek: Ἐπικὸς Κύκλος, romanized: Epikòs Kýklos) was a collection of Ancient Greek epic poems, composed in dactylic hexameter and related to the story of the Trojan War, including the Cypria, the Aethiopis, the so-called Little Iliad, the Iliupersis, the Nostoi, and the Telegony. Scholars sometimes include the two Homeric epics, the Iliad and the Odyssey, among the poems of the Epic Cycle, but the term is more often used to specify the non-Homeric poems as distinct from the Homeric ones.

Unlike the Iliad and the Odyssey, the cyclic epics survive only in fragments and summaries from Late Antiquity and the Byzantine period.

The New Testament (NT) is the second division of the Christian biblical canon. It discusses the teachings and person of Jesus, as well as events relating to first-century Christianity. The New Testament's background, the first division of the Christian Bible, has the name of Old Testament, which is based primarily upon the Hebrew Bible; together they are regarded as Sacred Scripture by Christians.

The New Testament is a collection of 27 Christian texts written in Koine Greek by various authors, forming the second major division of the Christian Bible. It includes four gospels, the Acts of the Apostles, epistles attributed to Paul and other authors, and the Book of Revelation. The New Testament canon developed gradually over the first few centuries of Christianity through a complex process of debate, rejection of heretical texts, and recognition of writings deemed apostolic, culminating in the formalization of the 27-book canon by the late 4th century. It has been widely accepted across Christian traditions since Late Antiquity.

Robin James Lane Fox, FRSL (born 5 October 1946) is an English classicist, ancient historian, and gardening writer known for his works on Alexander the Great. Lane Fox is an Emeritus Fellow of New College, Oxford, and Reader in Ancient History, University of Oxford. Fellow and Tutor in Ancient History at New College from 1977 to 2014, he serves as Garden Master and as Extraordinary Lecturer in Ancient History for both New College and Exeter College. He has also taught Greek and Latin literature and early Islamic history.

His major publications, for which he has won literary prizes including the James Tait Black Award, the Duff Cooper Prize, the Heinemann Award and the Runciman Award, include studies of Alexander the Great and Ancient Macedon, Late Antiquity, Christianity and Paganism, the Bible and history, and the Greek Dark Ages. In addition, he is the gardening correspondent of the Financial Times.

Publius Ovidius Naso (Latin: [ˈpuːbliʊs ɔˈwɪdiʊs ˈnaːsoː]; 20 March 43 BC – AD 17/18), known in English as Ovid (/ˈɒvɪd/ OV-id), was a Roman poet who lived during the reign of Augustus. He was a younger contemporary of Virgil and Horace, with whom he is often ranked as one of the three canonical poets of Latin literature. The Imperial scholar Quintilian considered him the last of the Latin love elegists. Although Ovid enjoyed enormous popularity during his lifetime, the emperor Augustus exiled him to Tomis, the capital of the newly organised province of Moesia, on the Black Sea, where he remained for the last nine or ten years of his life. Ovid himself attributed his banishment to a carmen et error ("poem and a mistake"), but his reluctance to disclose specifics has resulted in much speculation among scholars.

Ovid is most famous for the Metamorphoses, a continuous mythological narrative in fifteen books written in dactylic hexameters. He is also known for works in elegiac couplets such as Ars Amatoria ("The Art of Love") and Fasti. His poetry was much imitated during Late Antiquity and the Middle Ages, and greatly influenced Western art and literature. The Metamorphoses remains one of the most important sources of classical mythology today.

Animal sacrifice is the ritual killing and offering of animals, usually as part of a religious ritual or to appease or maintain favour with a deity. Animal sacrifices were common throughout Europe and the Ancient Near East until the spread of Christianity in Late Antiquity, and continue in some cultures or religions today. Human sacrifice, where it existed, was always much rarer.

All or only part of a sacrificial animal may be offered; some cultures, like the Ancient Greeks ate most of the edible parts of the sacrifice in a feast, and burnt the rest as an offering. Others burnt the whole animal offering, called a holocaust. Usually, the best animal or best share of the animal is the one presented for offering.

The following outline is provided as an overview of and topical guide to classical studies:

Classical studies (Classics for short) – earliest branch of the humanities, which covers the languages, literature, history, art, and other cultural aspects of the ancient Mediterranean world. The field focuses primarily on, but is not limited to, Ancient Greece and Ancient Rome during classical antiquity, the era spanning from the late Bronze Age of Ancient Greece during the Minoan and Mycenaean periods (c. 1600–1100 BC) through the period known as Late Antiquity to the fall of the Western Roman Empire, c. 500 AD. The word classics is also used to refer to the literature of the period.

A treasure binding or jewelled bookbinding is a luxurious book cover using metalwork in gold or silver, jewels, or ivory, perhaps in addition to more usual bookbinding material for book covers such as leather, velvet, or other cloth. The actual bookbinding technique is the same as for other medieval books, with the folios, normally of vellum, stitched together and bound to wooden cover boards. The metal furnishings of the treasure binding are then fixed, normally by tacks, onto these boards. Treasure bindings appear to have existed from at least Late Antiquity, though there are no surviving examples from so early, and Early Medieval examples are very rare. They were less used by the end of the Middle Ages, but a few continued to be produced in the West even up to the present day, and many more in areas where Eastern Orthodoxy predominated. The bindings were mainly used on grand illuminated manuscripts, especially gospel books designed for the altar and use in church services, rather than study in the library.

The vast majority of these bookbindings were later destroyed as their valuable gold and jewels were removed by looters, or the owners when in need of cash. Others survive without their jewels, and many are either no longer attached to a book, or have been moved to a different book. Some survive in major libraries; for example, the Morgan Library in New York City, the John Rylands Library in Manchester, the British Library in London, the Bayerische Staatsbibliothek in Munich and the Bibliothèque Nationale in Paris. As the carved ivory reliefs often used could not usually be recycled, these survive in much larger numbers, giving a better idea of the numbers of treasure bindings that once existed. Other examples are recorded in documentary sources but though the books survive the covers do not. The Book of Kells lost its binding after a robbery, and the fate of the missing cover of the Book of Lindisfarne is not recorded.

The Barberini ivory is a Byzantine ivory leaf from an imperial diptych dating from Late Antiquity, now in the Louvre in Paris. It represents the emperor as triumphant victor. It is generally dated from the first half of the 6th century and is attributed to an imperial workshop in Constantinople, while the emperor is usually identified as Justinian, or possibly Anastasius I or Zeno. It is a notable historical document because it is linked to queen Brunhilda of Austrasia. On the back there is a list of names of Frankish kings, all relatives of Brunhilda, indicating her important position. Brunhilda ordered the list to be inscribed and offered it to the church as a votive image.

Although it is not a consular diptych, it shares many features of their decorative schemes. The emperor is accompanied in the main panel by a conquered barbarian in trousers at left, a crouching allegorical figure, probably representing territory conquered or reconquered, who holds his foot in thanks or submission, and an angel or victory, crowning the emperor with the traditional palm of victory (which is now lost). Although the barbarian is partly hidden by the emperor's huge spear, this does not pierce him, and he seems more astonished and over-awed than combative. Above, Christ, with a fashionable curled hair-style, is flanked by two more angels in the style of pagan victory figures; he reigns above, while the emperor represents him below on earth. In the bottom panel barbarians from West (left, in trousers) and East (right, with ivory tusks, a tiger and a small elephant) bring tribute, which includes wild animals. The figure in the left panel, representing a soldier, carries a statuette of Victory; his counterpart on the right is lost.