Lamb of God in the context of "Calvary"

In Christianity, Jesus is the Son of God as chronicled in the Bible's New Testament, as well as prophesied in the Old Testament, and is held to be God the Son, a prosopon (Person) of the Trinity of God. Christians believe him to be the Jewish messiah (giving him the title Christ), who was prophesied in the Bible's Old Testament. Through Jesus's crucifixion and resurrection, Christians believe that God offers humans salvation and eternal life, with Jesus's death atoning for all sin.

These teachings emphasize that as the Lamb of God, Jesus chose to suffer nailed to the cross at Calvary as a sign of his obedience to the will of God, as an "agent and servant of God". Jesus's choice positions him as a man of obedience, in contrast to Adam's disobedience. According to the New Testament, after God raised him from the dead, Jesus ascended to heaven to sit at the right hand of God the Father, with his followers awaiting his return to Earth and God's subsequent Last Judgement.

The Four Horsemen of the Apocalypse are figures in the Book of Revelation in the New Testament of the Bible, a piece of apocalypse literature attributed to John of Patmos, and generally regarded as dating from about AD 95. Similar allusions are contained in the Old Testament books of Ezekiel and Zechariah, written centuries prior. Though the text only provides a name for the fourth horseman, subsequent commentary often identifies them as personifications of Conquest, War, Famine, and Death.

Revelation 6 tells of a book or scroll in God's right hand that is sealed with seven seals. The Lamb of God/Lion of Judah opens the first four of the seven seals, which summons four beings that ride out on white, red, black, and pale horses. All of the horsemen save for Death are portrayed as being human in appearance.

The Ghent Altarpiece, also called the Adoration of the Mystic Lamb (Dutch: De aanbidding van het Lam Gods), is a very large and complex 15th-century polyptych altarpiece in St Bavo's Cathedral, Ghent, Belgium. It was begun around the mid-1420s and completed by 1432, and it is attributed to the Early Netherlandish painters and brothers Hubert and Jan van Eyck. The altarpiece is a prominent example of the transition from Middle Age to Renaissance art and is considered a masterpiece of European art, identified by some as "the first major oil painting."

The panels are organised in two vertical registers, each with double sets of foldable wings containing inner and outer panel paintings. The upper register of the inner panels represents the heavenly redemption, and includes the central classical Deësis arrangement of God (identified either as Christ the King or God the Father), flanked by the Virgin Mary and John the Baptist. They are flanked in the next panels by angels playing music and, on the far outermost panels, the figures of Adam and Eve. The central panel of the lower register shows a gathering of saints, sinners, clergy, and soldiers attendant at an adoration of the Lamb of God. There are several groupings of figures, overseen by the dove of the Holy Spirit. The four lower panels of the closed altar are divided into two pairs; sculptural grisaille paintings of St John the Baptist and St John the Evangelist, and on the two outer panels, donor portraits of Joost Vijdt and his wife Lysbette Borluut; in the upper row are the archangel Gabriel and the Annunciation, and at the very top are the prophets and sibyls. The altarpiece is one of the most renowned and important artworks in European history.

Agnus Dei is the Latin name under which the "Lamb of God" is honoured within Christian liturgies descending from the historic Latin liturgical tradition, including those of Roman Catholicism, Lutheranism and Anglicanism. It is the name given to a specific prayer that occurs in these liturgies, and is the name given to the music pieces that accompany the text of this prayer.

The use of the title "Lamb of God" in liturgy is based on John 1:29, in which St. John the Baptist, upon seeing Jesus, proclaims "Behold, the Lamb of God, who takes away the sin of the world!"

The calling of the disciples is a key episode in the life of Jesus in the New Testament. It appears in Matthew 4:18–22, Mark 1:16-20 and Luke 5:1–11 on the Sea of Galilee. John 1:35–51 reports the first encounter with two of the disciples a little earlier in the presence of John the Baptist. Particularly in the Gospel of Mark, the beginning of the Ministry of Jesus and the call of the first disciples are inseparable.

Four Horsemen of the Apocalypse (Russian: "Воины Апокалипсиса") is an 1887 painting by Russian artist Viktor Vasnetsov.

The painting depicts the Four Horsemen of the Apocalypse described in the Book of Revelation. The Lamb of God is visible at the top.

In Christianity, the Seven Seals are the seven symbolic seals (Greek: σφραγῖδα, sphragida) described in the Book of Revelation.

The opening of the first four Seals releases the Four Horsemen, each with his own specific mission. The opening of the fifth Seal releases the cries of martyrs for the "Word/Wrath of God". The sixth Seal prompts plagues, storms and other cataclysmic events. The seventh Seal cues seven angelic trumpeters who in turn cue the seven bowl judgments and more cataclysmic events.