Lamassu in the context of "Assyrian palace relief"

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⭐ Core Definition: Lamassu

Lama, Lamma, or Lamassu (Cuneiform: 𒀭𒆗, an.kal; Sumerian: lammař; later in Akkadian: lamassu; sometimes called a lamassuse) is a Mesopotamian protective deity.

Initially depicted as a goddess in Sumerian times, when it was called Lamma, it was later depicted from Assyrian times as a hybrid of a human, bird, and either a bull or lion—specifically having a human head, the body of a bull or a lion, and bird wings, under the name Lamassu. In some writings, it is portrayed to represent a goddess. A less frequently used name is shedu (Cuneiform: 𒀭𒆘, an.kal×bad; Sumerian: alad; Akkadian, šēdu), which refers to the male counterpart of a lamassu. Lamassu represent the zodiacs, parent-stars or constellations.

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Lamassu in the context of Sculpture

Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast.

Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. In addition, most ancient sculpture was painted, which has been lost.

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Lamassu in the context of Antiquities

Antiquities are objects from antiquity, especially the civilizations of the Mediterranean such as the Classical antiquity of Greece and Rome, Ancient Egypt, and the other Ancient Near Eastern cultures such as Ancient Persia (Iran). Artifacts from earlier periods such as the Mesolithic, and other civilizations from Asia and elsewhere may also be covered by the term. The phenomenon of giving a high value to ancient artifacts is found in other cultures, notably China, where Chinese ritual bronzes, three to two thousand years old, have been avidly collected and imitated for centuries, and the Pre-Columbian cultures of Mesoamerica, where in particular the artifacts of the earliest Olmec civilization are found reburied in significant sites of later cultures up to the Spanish Conquest.

A person who studies antiquities, as opposed to just collecting them, is often called an antiquarian.

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Lamassu in the context of Assyrian sculpture

Assyrian sculpture is the sculpture of the ancient Assyrian states, especially the Neo-Assyrian Empire of 911 to 612 BC, which was centered around the city of Assur in Mesopotamia (modern-day Iraq) which at its height, ruled over all of Mesopotamia, the Levant and Egypt, as well as portions of Anatolia, Arabia and modern-day Iran and Armenia. It forms a phase of the art of Mesopotamia, differing in particular because of its much greater use of stone and gypsum alabaster for large sculpture.

Much the best-known works are the huge lamassu guarding entrance ways, and Assyrian palace reliefs on thin slabs of alabaster, which were originally painted, at least in part, and fixed on the wall all round the main rooms of palaces. Most of these are in museums in Europe or America, following a hectic period of excavations from 1842 to 1855, which took Assyrian art from being almost completely unknown to being the subject of several best-selling books, and imitated in political cartoons.

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