Lake Starnberg in the context of The Waste Land


Lake Starnberg in the context of The Waste Land

⭐ Core Definition: Lake Starnberg

Lake Starnberg, or Starnberger See [ˈʃtaʁnbɛʁɡɐ ˌzeː] ) — called Lake Würm or Würmsee ([ˈvʏʁmˌzeː] ) until 1962 — is Germany's fifth-largest lake by area, however, because of its great depth, it is the second-largest body of fresh water. It and its surroundings lie in three different Bavarian districts, or Landkreise. The lake is property of the state and accordingly managed by the Bavarian Administration of State-Owned Palaces, Gardens and Lakes.

Located in southern Bavaria 25 kilometres (16 mi) southwest of Munich, Lake Starnberg is a popular recreation area for the city and, since 1976, one of the wetlands of international importance protected by the Ramsar Convention. The small town of Berg is famous as the site where King Ludwig II of Bavaria was found dead in the lake in 1886. Because of its associations with the Wittelsbach royal family, the lake is also known as Fürstensee (Prince's Lake). It is also mentioned in T. S. Eliot's poem The Waste Land.

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Lake Starnberg in the context of L'Aigle à deux têtes

L'Aigle à deux têtes is a French play in three acts by Jean Cocteau, written in 1943 and first performed in 1946. It is known variously in English as The Eagle with Two Heads, The Eagle Has Two Heads, The Two-Headed Eagle, The Double-Headed Eagle, and Eagle Rampant. The title refers to the double-headed eagle of heraldry. Cocteau also directed a film of his play which appeared in 1948.

Cocteau said that he took his inspiration for the play from the separate stories of Ludwig II of Bavaria and of the Empress Elisabeth of Austria. Ludwig was found drowned in Lake Starnberg in Bavaria in circumstances which have never been satisfactorily explained. Elisabeth was stabbed in the heart by an assassin while out walking in Geneva. For his portrait of the Queen, Cocteau drew upon the portrait of Elisabeth given by Remy de Gourmont in his Promenades littéraires. He was also concerned to create characters which called for a grand style of acting in a tradition which he saw as being in decline in French theatre. The performances of Edwige Feuillère and Jean Marais in the first French production were an essential part of Cocteau's conception of the play.

View the full Wikipedia page for L'Aigle à deux têtes
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