La Sylphide in the context of August Bournonville

Joaquín De Luz (born 1976, Madrid, Spain) is a Spanish ballet dancer. He was formerly with the American Ballet Theatre (ABT), and a principal dancer with the New York City Ballet (NYCB). He is currently director of Spanish National Dance Company.

The Romantic ballet is defined primarily by an era in ballet in which the ideas of Romanticism in art and literature influenced the creation of ballets. The era occurred during the early to mid 19th century primarily at the Théâtre de l'Académie Royale de Musique of the Paris Opera Ballet and Her Majesty's Theatre in London. It is typically considered to have begun with the 1832 début in Paris of the ballerina Marie Taglioni in the ballet La Sylphide, and to have reached its zenith with the premiere of the divertissement Pas de Quatre staged by the Ballet Master Jules Perrot in London in 1845. The Romantic ballet had no immediate end, but rather a slow decline. Arthur Saint-Léon's 1870 ballet Coppélia is considered to be the last work of the Romantic Ballet. Romantic ballet is believed to have been experienced in three main phases: The zenith phase from 1830 to 1840, the decline phase from 1850 to 1880, and the revival phase in the 1890s prior to Diaghilev. Each phase is synonymous with the production of a few specifically stylized ballets.

During this era, the development of pointework, although still at a fairly basic stage, profoundly affected people's perception of the ballerina. Many lithographs of the period show her virtually floating, poised only on the tip of a toe. This idea of weightlessness was capitalised on in ballets such as La Sylphide and Giselle, and the famous leap apparently attempted by Carlotta Grisi in La Péri.

Joseph Mazilier (1 March 1801 – 19 May 1868) was a 19th-century French dancer, balletmaster and choreographer. He was born as Giulio Mazarini. He was most noted for his ballets Paquita (1844) and Le Corsaire (1856). He created the role of James in La Sylphide with Marie Taglioni. Marie Guy-Stéphan debuted in Aelia et Mysis at the Paris Opéra when she moved in 1853 to Paris.