La Dolce Vita in the context of List of films considered the best

Federico Fellini (Italian: [fedeˈriːko felˈliːni]; 20 January 1920 – 31 October 1993) was an Italian film director and screenwriter. He is known for his distinctive style, which blends fantasy and baroque images with earthiness. He is recognized as one of the greatest and most influential filmmakers of all time. His films have ranked highly in critical polls such as that of Cahiers du Cinéma and Sight & Sound, which lists his 1963 film 8½ as the 10th-greatest film.

Fellini's best-known films include I Vitelloni (1953), La Strada (1954), Nights of Cabiria (1957), La Dolce Vita (1960), 8½ (1963), Juliet of the Spirits (1965), Fellini Satyricon (1969), Roma (1972), Amarcord (1973), and Fellini's Casanova (1976).

Marcello Vincenzo Domenico Mastroianni Cavaliere di Gran Croce OMRI (26 September 1924 – 19 December 1996) was an Italian actor. He is generally regarded as one of Italy's most iconic male performers of the 20th-century, who played leading roles for many of the country's top directors, in a career spanning 147 films between 1939 and 1996, garnering many international honours including two BAFTA Awards, two Best Actor awards at the Venice and Cannes film festivals, two Golden Globes, and three Academy Award nominations.

Born in Fontana Liri (province of Frosinone, Lazio, IT) and raised in Turin and Rome, Mastroianni made his film debut in 1939 at the age of 14, but did not seriously pursue acting until the 1950s, when he made his critical and commercial breakthrough in the caper comedy Big Deal on Madonna Street (1959). He became an international celebrity through his collaborations with director Federico Fellini, first as a disillusioned tabloid columnist in La Dolce Vita (1960), then as a creatively-stifled filmmaker in 8½ (1963). Excelling in both dramatic and comedic roles, he formed a notable on-screen duo with actress and sex symbol Sophia Loren, co-starring with her in eleven films between 1954 and 1994.

Frascati, an Italian white wine, takes its name from the town of Frascati, located 25 km southeast of Rome, in Lazio, Italy. Archeological discoveries from the ancient town of Tusculum, now Frascati, demonstrate the cultivation of grapes for wine since the 5th century BC. Frascati was one of the preferred wines of ancient Rome, of Renaissance popes, of poets and artists visiting in the Grand Tour (1700s and 1800s), and of the La Dolce Vita generation in the 1960s. Made from Malvasia di Candia, Malvasia del Lazio, Grechetto, Bombino bianco, and Trebbiano grapes, Frascati gained denominazione di origine controllata (DOC) status in 1966 and DOCG status in 2011, making it one of Italy's first DOC wines. The Frascati DOC/DOCG area is located in the heart of the Roman Castles, Tusculum and Albani Hills south of Rome, and north of Lake Albano. The vineyards range from 200 to 1,000 feet in altitude. The soils are well drained and volcanic. The DOC allows for a minimum of 70% Malvasia (Bianca di Candia) and/or Malvasia del Lazio (aka Bombino) and a 30% maximum of Trebbiano and/or Greco and a maximum of 10% other white grapes. Many of the vineyards' cellars have ancient Roman caves. Modern cellars and techniques are now leading the way to an ever-growing reputation of a fine quality wine, with many award-winning labels. Frascati wine is an ingredient in the Frascati Frizz aperitif.

Two Frascati wines qualified on Sep 20th 2011 for the higher DOCG recognition:

Christa Päffgen (German pronunciation: [ˈkʁɪsta ˈpɛfɡn̩]; 16 October 1938 – 18 July 1988), known by her stage name Nico, was a German singer, songwriter, actress and model.

Nico had roles in films including Federico Fellini's La Dolce Vita (1960) and Andy Warhol's Chelsea Girls (1966). At the insistence of Warhol, she sang lead on three songs of the Velvet Underground's debut album, The Velvet Underground & Nico (1967). At the same time, she released her debut album, Chelsea Girl (1967), composed of songs written by other musicians. At the suggestion of her friend Jim Morrison, she started writing her own material, using a harmonium, not traditionally a rock instrument. John Cale of the Velvet Underground became her musical arranger and produced The Marble Index (1968), Desertshore (1970), The End... (1974) and other albums.

Dámaso Pérez Prado (December 11, 1916 – September 14, 1989) was a Cuban bandleader, pianist, composer and arranger who popularized the mambo in the 1950s. His big band adaptation of the danzón-mambo proved to be a worldwide success with hits such as "Mambo No. 5", earning him the nickname "The King of the Mambo". In 1955, Pérez Prado and his orchestra topped the charts in the US and UK with a mambo cover of Louiguy's "Cherry Pink (and Apple Blossom White)". He frequently made brief appearances in films, primarily of the rumberas genre, and his music was featured in films such as La Dolce Vita.

Pérez Prado began his career as pianist and arranger for the Sonora Matancera, an internationally successful dance music ensemble from his hometown of Matanzas. He later established his own group and made several recordings in Havana in 1946, including "Trompetiana", a self-penned mambo and one of the first examples arranged for big band. He then moved to Mexico where he developed this particular genre in multiple forms, including bolero-mambo (with María Luisa Landín), guaracha-mambo (with Benny Moré) and two forms of instrumental mambo he created: mambo batiri and mambo kaen. The success of his 1949 recordings landed him a contract with RCA Victor in the US, which led to a prolific career during the 1950s. His number 1 hit "Cherry Pink (and Apple Blossom White)" was followed by other charting singles, such as a cover of "Guaglione" and his own "Patricia", both released in 1958. Pérez Prado's popularity in the US began to decline in the 1960s with the advent of other Latin dance rhythms such as pachanga and, later, boogaloo. Despite several innovative albums and a new form of mambo he called "dengue", Pérez Prado was never able to duplicate his earlier success and returned to Mexico in the 1970s, where he became a naturalized citizen in 1980. He died in Mexico City in 1989. His son, Pérez Prado Jr., continues to direct the Pérez Prado Orchestra in Mexico City to this day.