L'Africaine in the context of "Eugène Scribe"

Play Trivia Questions online!

or

Skip to study material about L'Africaine in the context of "Eugène Scribe"

Ad spacer

⭐ Core Definition: L'Africaine

L'Africaine (The African Woman) is an 1837 five-act French grand opéra by Giacomo Meyerbeer, with a libretto by Eugène Scribe. By 1852, the plot had been revised to depict fictional events in the life of Portuguese explorer Vasco da Gama, adopting his Gallicized name as its working title, Vasco de Gama. The full score was copied the day before Meyerbeer died in 1864.

François-Joseph Fétis's published edition, L'Africaine, premiered in 1865 at the Paris Opéra and was long performed. Since 2013, some productions and recordings have applied revisions, including the title Vasco de Gama, based on Meyerbeer's manuscript, from which Casa Ricordi published a critical edition in 2018.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<
In this Dossier

L'Africaine in the context of Giacomo Meyerbeer

Giacomo Meyerbeer (born Jakob Liebmann Meyer Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera Robert le diable and its successors, he gave the genre of grand opera 'decisive character'. Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard that helped to maintain Paris as the opera capital of the nineteenth century.

Born to a wealthy Jewish family, Meyerbeer began his musical career as a pianist but soon decided to devote himself to opera, spending several years in Italy studying and composing. His 1824 opera Il crociato in Egitto was the first to bring him a Europe-wide reputation, but it was Robert le diable (1831) which raised his status to great celebrity. His public career, lasting from then until his death, during which he remained a dominating figure in the world of opera, was summarized by his contemporary Hector Berlioz, who claimed that he 'has not only the luck to be talented, but the talent to be lucky.' He was at his peak with his operas Les Huguenots (1836) and Le prophète (1849); his last opera (L'Africaine) was performed posthumously. His operas made him the most frequently performed composer at the world's leading opera houses in the nineteenth century.

↑ Return to Menu