Kylix in the context of "Satyr plays"

The satyr play is a form of Attic theatre performance related to both comedy and tragedy. It preserves theatrical elements of dialogue, actors speaking verse, a chorus that dances and sings, masks and costumes. Its relationship to tragedy is strong; satyr plays were written by tragedians, and satyr plays were performed in the Dionysian festival following the performance of a group of three tragedies. The satyr play's mythological-heroic stories and the style of language are similar to that of the tragedies. Its connection with comedy is also significant – it has similar plots, titles, themes, characters, and happy endings. The remarkable feature of the satyr play is the chorus of satyrs, with their costumes that focus on the phallus, and with their language, which uses wordplay, sexual innuendo, and references to breasts, farting, erections, and other terms that do not occur in tragedy. As Mark Griffith points out, the satyr play was "not merely a deeply traditional Dionysiac ritual, but also generally accepted as the most appropriate and satisfying conclusion to the city’s most complex and prestigious cultural event of the year."

The satyric drama may be traced back to Pratinas of Phlius, c. 500 BC. After settling in Athens, he probably adapted the dithyramb, customary in his native home, with its chorus of satyrs, to complement the form of tragedy which had been recently invented in Athens. It met with approval and was further developed by his son Aristias, by Choerilus, by Aeschylus, and others.

Jason (/ˈdʒeɪ.sən/ JAY-sən; Ancient Greek: Ἰάσων, romanized: Iásōn [i.ǎːsɔːn]) was an ancient Greek mythological hero and leader of the Argonauts, whose quest for the Golden Fleece is featured in Greek literature. He was the son of Aeson, the rightful king of Iolcos. He was married to the sorceress Medea, the granddaughter of the sungod Helios.

Jason appeared in various literary works in the classical world of Greece and Rome, including the epic poem Argonautica and the tragedy Medea. In the modern world, Jason has emerged as a character in various adaptations of his myths, such as the 1963 film Jason and the Argonauts and the 2000 TV miniseries of the same name.

The linothorax (/ˈliːnoʊθɔːræks/, from the Ancient Greek: λινοθώραξ, Ancient Greek: [linotʰɔ̌ːraːks]) is a type of upper body armor that was used throughout the ancient Mediterranean world. The term linothorax is a modern term based on the Greek λινοθώραξ, which means "wearing a breastplate of linen"; a number of ancient Greek and Latin texts from the 6th century BC to the third century AD mention θώρακες λίνεοι (thorakes lineoi) (Greek) or loricae linteae (Latin) which means 'linen body armour'. These are usually equated with some of the armour shown in sculptures and paintings from Italy and Greece from 575 BC onwards. Very little is known about how ancient linen armour was made. Linen armour in other cultures was usually quilted and stuffed with loose fibre or stitched together many layers thick, but it could also have been made with a special weave called twining which creates a thick, tough fabric. The theory that it was made of layers of linen glued together comes from a mistranslation of a summary of a description of medieval armour in 1869.

By the late 6th century BC, many paintings and sculptures show hoplites and other warriors in the Aegean wearing the linothorax instead of a bronze cuirass. This could have been due to the lower price, lesser weight, or cooler material. Artists continue to show it in the Hellenistic period after the death of Alexander the Great. The Roman emperor Caracalla equipped a "Macedonian phalanx" with linen armour around 200 AD (Cassius Dio 78.7).

The dory or doru (/ˈdɒruː/; Greek: δόρυ) was the chief spear of hoplites (heavy infantry) in Ancient Greece. The word doru is first attested in the Homeric epics with the meanings of "wood" and "spear". Homeric heroes hold two dorata (Greek: δόρατα, plural of δόρυ) (Il. 11,43, Od. 1, 256). In classical antiquity, the dory was a symbol of military power, possibly more important than the sword, as can be inferred from expressions like "Troy conquered by dory" (Il. 16,708) and words like "doryktetos" (Greek: δορίκτητος) (spear-won) and "doryalotos" (Greek: δορυάλωτος) (spear-taken).

The spear used by the Persian army under Darius I and Xerxes in their respective campaigns during the Greco-Persian Wars was shorter than that of their Greek opponents. The dory's length enabled multiple ranks of a formation to engage simultaneously during combat.

Kottabos (Ancient Greek: κότταβος) was a game of skill played at Ancient Greek and Etruscan symposia (drinking parties), especially in the 6th and 5th centuries BC. It involved flinging wine-lees (sediment) at a target in the middle of the room. The winner would receive a prize (κοττάβιον or "kottabion"), comprising cakes, sweetmeats, or kisses.

Ancient writers, including Dionysius Chalcus, Alcaeus, Anacreon, Pindar, Bacchylides, Aeschylus, Sophocles, Euripides, Aristophanes, and Antiphanes, make frequent and familiar allusion to the practice; and it is depicted on contemporaneous red-figure vases. References to the practice by the writers of the Roman and Alexandrian periods show that the fashion had died out. In Latin literature, it is almost entirely unknown.

A chalice (from Latin calix 'cup', taken from the Ancient Greek κύλιξ (kylix) 'cup') is a drinking cup raised on a stem with a foot or base. Although it is a technical archaeological term, in modern parlance the word is now used almost exclusively for the cups used in Christian liturgy as part of a service of the Eucharist, such as a Catholic mass. These are normally made of metal, but neither the shape nor the material is a requirement. Most have no handles, and in recent centuries the cup at the top has usually been a simple flared shape.

Historically, the same shape was used for elite secular vessels, and many individual examples have served both secular and liturgical uses over their history, for example the Lacock Cup and Royal Gold Cup, both late medieval cups. Cups owned by churches were much more likely to survive, as secular drinkware in precious metal was usually melted down when it fell out of fashion.

Douris or Duris (Ancient Greek: Δοῦρις, Douris) was an ancient Athenian red-figure vase-painter and potter active c. 500 to 460 BCE.