Kumarbi in the context of "Mesopotamian god"

Urkesh, also transliterated Urkish (Akkadian: 𒌨𒆧𒆠 UR.KIŠ, 𒌨𒋙𒀭𒄲𒆠 UR.KEŠ₃; modern Tell Mozan; Arabic: تل موزان), is a tell, or settlement mound, located in the foothills of the Taurus Mountains in Al-Hasakah Governorate, northeastern Syria. It was founded during the fourth millennium BC, possibly by the Hurrians, on a site which appears to have been inhabited previously for a few centuries. The city god of Urkesh was Kumarbi, father of Teshup.

Dagon or Dagan (Sumerian: 𒀭𒁕𒃶, romanized: da-gan; Phoenician: 𐤃𐤂𐤍, romanized: Dāgān) was a god worshipped in ancient Syria, across the middle of the Euphrates, with primary temples located in Tuttul and Terqa, though many attestations of his cult come from cities such as Mari and Emar as well. In settlements situated in the upper Euphrates area, he was regarded as the "father of gods" similar to Mesopotamian Enlil or Hurrian Kumarbi, as well as a lord of the land, a god of prosperity, and a source of royal legitimacy. A large number of theophoric names, both masculine and feminine, attests that he was a popular deity. He was also worshiped further east, in Mesopotamia, where many rulers regarded him as the god capable of granting them kingship over the western areas.

Attestations of Dagan from coastal areas are much less frequent and come mostly from the northern city of Ugarit, where Dagan's cult had a limited scope. According to the Hebrew Bible, Dagan was also the national god of the Philistines, with temples at Ashdod and Gaza, but there is no extrabiblical evidence confirming this. The extrasolar object designated Fomalhaut b is named after Dagon.

Sukkal (conventionally translated from Sumerian as "vizier") was a term which could denote both a type of official and a class of deities in ancient Mesopotamia. The historical sukkals were responsible for overseeing the execution of various commands of the kings and acted as diplomatic envoys and translators for foreign dignitaries. The deities referred to as sukkals fulfilled a similar role in mythology, acting as servants, advisors and envoys of the main gods of the Mesopotamian pantheon, such as Enlil or Inanna. The best known sukkal is the goddess Ninshubur. In art, they were depicted carrying staves, most likely understood as their attribute. They could function as intercessory deities, believed to mediate between worshipers and the major gods.

The office sukkal is also known from various areas to the west and east of Mesopotamia, including the Hurrian kingdom Arrapha, Syrian Alalakh and Mari and Elam under the rule of the Sukkalmah Dynasty, while the concept of divine sukkals was incorporated into Hurrian religion, in which major gods such as Kumarbi or Hebat commonly appear in company of their sukkals, similar to their Mesopotamian counterparts.

Teshub was the Hurrian weather god, as well as the head of the Hurrian pantheon. The etymology of his name is uncertain, though it is agreed it can be classified as linguistically Hurrian. Both phonetic and logographic writings are attested. As a deity associated with the weather, Teshub could be portrayed both as destructive and protective. Individual weather phenomena, including winds, lightning, thunder and rain, could be described as his weapons. He was also believed to enable the growth of vegetation and create rivers and springs. His high position in Hurrian religion reflected the widespread importance of weather gods in northern Mesopotamia and nearby areas, where in contrast with the south agriculture relied primarily on rainfall rather than irrigation. It was believed that his authority extended to both mortal and other gods, both on earth and in heaven. However, the sea and the underworld were not under his control. Depictions of Teshub are rare, though it is agreed he was typically portrayed as an armed, bearded figure, sometimes holding a bundle of lightning. One such example is known from Yazılıkaya. In some cases, he was depicted driving in a chariot drawn by two sacred bulls.

According to Song of Emergence, Teshub was born from the split skull of Kumarbi after he bit off the genitals of Anu during a conflict over kingship. This tradition is also referenced in other sources, including a hymn from Aleppo and a Luwian inscription. A single isolated reference to the moon god Kušuḫ being his father instead is also known. In individual texts various deities could be referred to as his siblings, including Šauška, Tašmišu and Aranzaḫ. His wife was Ḫepat, a goddess originally worshipped in Aleppo at some point incorporated into the Hurrian pantheon. Their children were Šarruma, Allanzu and Kunzišalli. Other deities believed to belong to the court of Teshub included Tenu, Pentikalli, the bulls Šeri and Ḫurri and the mountain gods Namni and Ḫazzi. Members of his entourage were typically enumerated in so-called kaluti [de], Hurrian offering lists. God lists indicate that Teshub could be recognized as the equivalent of other weather gods worshipped in Mesopotamia and further west in Syria, including Adad and Ugaritic Baal. In Anatolia he also influenced Hittite Tarḫunna and Luwian Tarḫunz, though all of these gods were also worshipped separately from each other.

The Hurrian religion was the polytheistic religion of the Hurrians, a Bronze Age people of the Near East who chiefly inhabited the north of the Fertile Crescent. While the oldest evidence goes back to the third millennium BCE, it is best attested in cuneiform sources from the second millennium BCE written not only in the Hurrian language, but also Akkadian, Hittite and Ugaritic. It was shaped by contacts between the Hurrians and the various cultures with which they coexisted. As a result, the Hurrian pantheon included both natively Hurrian deities and those of foreign origin, adopted from Mesopotamian, Syrian (chiefly Eblaite and Ugaritic), Anatolian and Elamite beliefs. The culture of the Hurrians was not entirely homogeneous, and different local religious traditions are documented in sources from Hurrian kingdoms such as Arrapha, Kizzuwatna and Mitanni, as well as from cities with sizeable Hurrian populations, such as Ugarit and Alalakh.

Hurrian religion forms one of the best attested influences upon Hittite religion. The Hurrian pantheon is depicted in the rock reliefs from the Hittite sanctuary at Yazılıkaya, which dates to the thirteenth century BCE. Hittite scribes also translated many Hurrian myths into their own language, possibly relying on oral versions passed down by Hurrian singers. Among the best known of these compositions are the cycle of myths describing conflicts between Kumarbi and his son Teššub and the Song of Release. Hurrian influences on Ugaritic and Mesopotamian religion also have been noted, though they are less extensive. Furthermore, it has been argued that the Hurrian myths about a succession struggle between various primordial kings of the gods influenced Hesiod's poem Theogony.

Kušuḫ, also known under the name Umbu, was the god of the moon in Hurrian pantheon. He is attested in cuneiform texts from many sites, from Hattusa in modern Turkey, through Ugarit, Alalakh, Mari and other locations in Syria, to Nuzi, located near modern Kirkuk in Iraq, but known sources do not indicate that he was associated with a single city. His name might be derived from the toponym Kuzina, possibly the Hurrian name of Harran, a city in Upper Mesopotamia, but both this etymology and identification of this sparsely attested place name remain uncertain. He was a popular, commonly worshiped god, and many theophoric names invoking him are known. In addition to serving as a divine representation of the moon, he was also associated with oaths, oracles and pregnancy. Some aspects of his character were likely influenced by his Mesopotamian counterpart Sin, while he in turn was an influence on the Ugaritic god Yarikh and Luwian Arma.

In Hurrian mythology, Kušuḫ appears as one of the allies of the weather god Teššub in his struggle against Kumarbi, but known compositions do not provide much information about his individual characteristics. It has also been proposed that the Ugaritic composition Marriage of Nikkal and Yarikh was based on a Hurrian myth about Kušuḫ, well attested as the husband of this goddess.

Aranzaḫ (alternatively romanized as Aranzah), also known as Aranziḫ or Araššiḫ was a Hurrian deity who represented the river Tigris. He was believed to be one of the deities born as a result of Kumarbi biting off the genitals of Anu during a battle over kingship in heaven. He also appears in a myth focused on a hero named after him, Gurparanzaḫ, in which he acts as his ally. He is also attested in numerous Hurrian theophoric names. A handful of attestations of his name have been identified in Ugaritic and Mesopotamian texts as well. Additionally, it has been suggested that the Assyrian references to offerings made to the source of the Tigris in Shubria in the first millennium BCE were linked to earlier Hurrian worship of the Tigris as a deity.

Šarruma, also romanized as Šarrumma or Sharruma, was a Hurrian god. He could be depicted in both anthropomorphic form, sometimes riding on the back of a leopard, and in the theriomorphic form as a bull. His character is not fully understood, though it is known that he could function as a mountain god. He was regarded as a son of Ḫepat and Teshub. He was also linked to various moon deities. Additionally, the only mythological text he appears in addresses him as a messenger (sukkalu) of Kumarbi. He was worshiped by Hurrians in southeastern Anatolia and northern Syria, for example in Kummanni and Lawazantiya in Kizzuwatna. From this kingdom he was introduced to the Hittite pantheon as well. Hittite influence in turn resulted in his introduction to cities such as Aleppo, Emar and Ugarit. He was also venerated in Luwian religion in the first millennium BCE, with theophoric names invoking him attested from as late as the Hellenistic period in Cilicia and Lycia.