Kosovo Maiden in the context of "Pavle Orlović"

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⭐ Core Definition: Kosovo Maiden

The Kosovo Maiden or Maiden of the Blackbird's Field (Serbian: Косовка девојка / Kosovka devojka) is the central figure of a poem with the same name, part of the Kosovo cycle in the Serbian epic poetry. In it, a young beauty searches the battlefield for her betrothed fiancé and helps wounded Serbian warriors with water, wine and bread after the Battle of Kosovo in 1389 between Serbia and the Ottoman Empire. She finally finds the wounded and dying warrior Pavle Orlović who tells her that her fiancé Milan Toplica and his blood-brothers Miloš Obilić and Ivan Kosančić are dead. Before the battle they had given her a cloak, golden ring and veil for the wedding as a promise of safe return, but they were slain and Pavle pointed to the direction of the bodies. The poem finishes with:

The poem became very popular as a symbol of womanly compassion and charity.

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Kosovo Maiden in the context of Western art history

The art of Europe, also known as Western art, encompasses the history of visual art in Europe. European prehistoric art started as mobile Upper Paleolithic rock and cave painting and petroglyph art and was characteristic of the period between the Paleolithic and the Iron Age. Written histories of European art often begin with the Aegean civilizations, dating from the 3rd millennium BC. However a consistent pattern of artistic development within Europe becomes clear only with Ancient Greek art, which was adopted and transformed by Rome and carried; with the Roman Empire, across much of Europe, North Africa and Western Asia.

The influence of the art of the Classical period waxed and waned throughout the next two thousand years, seeming to slip into a distant memory in parts of the Medieval period, to re-emerge in the Renaissance, suffer a period of what some early art historians viewed as "decay" during the Baroque period, to reappear in a refined form in Neo-Classicism and to be reborn in Post-Modernism.

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Kosovo Maiden in the context of Western art

The art of Europe, also known as Western art, encompasses the history of visual art in Europe. European prehistoric art started as mobile Upper Paleolithic rock and cave painting and petroglyph art and was characteristic of the period between the Paleolithic and the Iron Age. Written histories of European art often begin with the Aegean civilizations, dating from the 3rd millennium BC. However a consistent pattern of artistic development within Europe becomes clear only with Ancient Greek art, which was adopted and transformed by Rome and, with the Roman Empire, was carried across much of Europe, North Africa and Western Asia.

The influence of the art of the Classical period waxed and waned throughout the next two thousand years, seeming to slip into a distant memory in parts of the Medieval period, to re-emerge in the Renaissance, suffer a period of what some early art historians viewed as "decay" during the Baroque period, to reappear in a refined form in Neo-Classicism and to be reborn in Post-Modernism.

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