Kim Chŏnghŭi in the context of Art-name


Kim Chŏnghŭi in the context of Art-name

⭐ Core Definition: Kim Chŏnghŭi

Kim Chŏnghŭi (Korean: 김정희; pronounced [kimdʑʌŋçi]; 1786–1856) was one of the most celebrated epigraphists, scholars, and practitioners of calligraphy of Korea's later Joseon period. He was a member of the Gyeongju Kim clan. He used various art names: Wandang (阮堂), Chusa (秋史), Yedang (禮堂), Siam (詩庵), Gwapa (果坡), Nogwa (老果) etc. (up to 503 by some estimates). He is especially celebrated for having transformed Korean epigraphy and for having created the "Chusa-che" (秋史體; lit. Chusa writing style) inspired by his study of ancient Korean and Chinese epitaphs. His ink paintings, especially of orchids, are equally admired.

As a scholar, he belonged to the Silhak (Practical Learning) school also known as the Bukhak (北學, "Northern Learning"). He was related to Queen Jeongsun, the second wife of King Yeongjo, and by his adoptive mother, Nam Yang-hong, he was a cousin to Namyeon-gun Yi Gu, who was destined to be the grandfather of King Gojong (高宗, later titled 光武帝 Gwangmu Emperor. 1852–1919). Heungseon Daewongun (興宣大院君, 1820–1898), King Gojong's father who served as his regent and was also a noted calligrapher, was one of Kim's pupils for a while.

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Kim Chŏnghŭi in the context of Art name

An art name (pseudonym or pen name), also known by its native names hào (in Mandarin Chinese), (in Japanese), ho (in Korean), and tên hiệu (in Vietnamese), is a professional name used by artists, poets and writers in the Sinosphere. The word and the concept originated in China, where it was used as nicknames for the educated, then became popular in other East Asian countries (especially in Japan, Korea, Vietnam, and the former Kingdom of Ryukyu).

In some cases, artists adopted different pseudonyms at different stages of their career, usually to mark significant changes in their life. Extreme practitioners of this tendency were Tang Yin of the Ming dynasty, who had more than ten hao, Hokusai of Japan, who in the period 1798 to 1806 alone used no fewer than six, and Kim Chŏnghŭi of the Joseon Dynasty who had up to 503.

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