Khufu Statuette in the context of "Flinders Petrie"

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⭐ Core Definition: Khufu Statuette

The Khufu Statuette or the Ivory figurine of Khufu is an ancient Egyptian statue. Historically and archaeologically significant, it was found in 1903 by Sir William Petrie during excavation of Kom el-Sultan in Abydos, Egypt. It depicts Khufu, a King of the Fourth dynasty (Old Kingdom, c. 2613 to 2494 BC), and the builder of the Great Pyramid of Giza, though it may have been carved much later, in the Twenty-Sixth Dynasty, 664 BC–525 BC.

This small seated figure is the only known three dimensional depiction of Khufu which survives largely intact, though there are also several statue fragments. Most Egyptologists consider the statue contemporary with Khufu very likely from his reign. However, because of the unusual provenance, its dating has been repeatedly questioned. The Egyptologist Zahi Hawass doubts that the statuette dates to the Old Kingdom at all. His argument that the statuette belongs to the 26th Dynasty has not received much credence, but has not yet been refuted. The ritual purpose of the statuette is also unclear. If it was contemporary with Khufu, it was either part of the traditional statue cult or mortuary cult. If the figurine is from a later period, it probably served (as claimed by Hawass) as a votive offering. The statuette's artist is unknown.

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Khufu Statuette in the context of Khufu

Khufu or Cheops was the second pharaoh of the Fourth Dynasty of Egypt, reigning during the 26th century BC in the early Old Kingdom period. Khufu succeeded his father Sneferu as king. He is generally accepted as having commissioned the Great Pyramid of Giza, one of the Seven Wonders of the Ancient World, but many other aspects of his reign are poorly documented. Khufu is also the main character noted in the Westcar Papyrus from the 13th dynasty.

The only completely preserved portrait of the king is a small ivory figurine found in a temple ruin of a later period at Abydos in 1903. All other reliefs and statues were found in fragments, and many buildings of Khufu are lost. Khufu's has a conflicting legacy: while the king enjoyed a long-lasting cultural heritage preservation during the period of the Old Kingdom and the New Kingdom, the ancient historians Manetho, Diodorus and Herodotus hand down a very negative depiction of Khufu's character. As a result, an obscure and critical picture of Khufu's personality persists.

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