Khajuraho Group of Monuments in the context of "Erotic"

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⭐ Core Definition: Khajuraho Group of Monuments

The Khajuraho Group of Monuments are a group of Hindu and Digambara Jain temples in Chhatarpur district, Madhya Pradesh, India. They are about 46 km (28.6mi) from Chhatarpur city, the district headquarter, 283 km (177mi) from Gwalior, 175 kilometres (109 mi) southeast of Jhansi, 10 kilometres (6.2 mi) from Khajwa and 9 kilometres (5.6 mi) from Rajnagar. The temples are famous for their Nagara-style architectural symbolism and a few erotic sculptures.

Most Khajuraho temples were built between 885 CE and 1000 CE by the Chandela dynasty. Historical records note that the Khajuraho temple site had 85 temples by the 12th century, spread over 20 square kilometres (7.7 sq mi). Of these, only about 25 temples have survived, spread over six square kilometres (2.3 sq mi). Of the surviving temples, the Kandariya Mahadeva Temple is decorated with a profusion of sculptures with intricate details, symbolism, and expressiveness of ancient Indian art. The temple complex was forgotten and overgrown by the jungle until 1838 when Captain T.S. Burt, a British engineer, visited the complex and reported his findings in the Journal of the Asiatic Society of Bengal.

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👉 Khajuraho Group of Monuments in the context of Erotic

Eroticism (from Ancient Greek ἔρως (érōs) 'love, desire' and -ism) is a quality that causes sexual feelings, as well as a philosophical contemplation concerning the aesthetics of sexual desire, sensuality, and romantic love. That quality may be found in any form of artwork, including painting, sculpture, photography, drama, film, music, or literature. It may also be found in advertising. The term may also refer to a state of sexual arousal or anticipation of such – an insistent sexual impulse, desire, or pattern of thoughts.

As French novelist Honoré de Balzac stated, eroticism is dependent not just upon an individual's sexual morality, but also the culture and time in which an individual resides.

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Khajuraho Group of Monuments in the context of Nude (art)

The nude, as a form of visual art that focuses on the unclothed human figure, is an enduring tradition in Western art. It was a preoccupation of Ancient Greek art, and after a semi-dormant period in the Middle Ages returned to a central position with the Renaissance. Unclothed figures often also play a part in other types of art, such as history painting, including allegorical and religious art, portraiture, or the decorative arts. From prehistory to the earliest civilizations, nude female figures were generally understood to be symbols of fertility or well-being.

In India, the Khajuraho Group of Monuments built between 950 and 1050 CE are known for their nude sculptures, which comprise about 10% of the temple decorations, a minority of them being erotic. Japanese prints are one of the few non-western traditions that can be called nudes, but the activity of communal bathing in Japan is portrayed as just another social activity, without the significance placed upon the lack of clothing that exists in the West. Through each era, the nude has reflected changes in cultural attitudes regarding sexuality, gender roles, and social structure.

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