Kattaikkuttu in the context of "Pump organ"

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⭐ Core Definition: Kattaikkuttu

Kattaikkuttu [கட்டைக்கூத்து] is a rural, Tamil-language based, physical and vocal form of ensemble theatre form practised in the State of Tamil Nadu in South India. It is a form of Kūttu (also spelled as Koothu), a theatre art that originated in early Tamilakam, though we are not sure what exactly the form and content of this theatre. The performers – by tradition only men – sing, act and dance and the musicians accompany them on the harmonium, the mridangam and dholak, and the mukavinai. The terms Terukkūttu [தெருக்கூத்து which translates as street theatre] and Kaṭṭaikkūttu are often used interchangeably. However, historically the two terms appear to have distinguished, at least in certain villages, between two different kinds of performance: while Terukkuttu referred to mobile performances by two actors participating in a procession for the village deity Mariamman, Kattaikkuttu denotes overnight, narrative performances at a fixed performance space acted by an ensemble of about fifteen actors and musicians.

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Kattaikkuttu in the context of Koothu

Koothu, or Therukoothu, is an ancient Tamil art form, where artists enacted scenes from epics and folklore with dance and music. It is a form of storytelling art that originated in the early Tamilakam, and served as an entertainment and a medium to educate the people about religion and history. Various forms exist such as Terukuttu and Kattaikkuttu.

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Kattaikkuttu in the context of Terukuttu

Terukkuttu is a Tamil street theatre form practised in Tamil Nadu state of India and Tamil-speaking regions of Sri Lanka. Terukuttu is a form of Koothu, an entertainment, a ritual, and a medium of social instruction, originated from the early Tamilakam. The terukkuttu plays various themes. One theme is from the Tamil language versions of the Hindu epic Mahabharata, focusing on the character Draupadi. The terms Terukkuttu and Kattaikkuttu are often used interchangeably in the modern times; however, historically the two terms appear to have distinguished, at least in certain villages, between two different kinds of performance: while Terukkuttu referred to mobile performances in a procession, Kattaikkuttu denotes overnight, narrative performances at a fixed performance space.

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