Kathak in the context of "Northern India"

Nirupama Rajendra is an Indian classical dancer in the Bharathnatyam and Kathak dance forms. She is based in Bangalore, Karnataka. Nirupama and her husband Rajendra (ನಿರುಪಮ ಮತ್ತು ರಾಜೇಂದ್ರ) perform Kathak together. They established the Abhinava Dance Company in 1994 with an aim to make dance more accessible. They are known for fusing traditional and contemporary dance styles. The dance duo has given many performances and received several awards including Natya Mayuri and Natya Mayura (1998), Karnataka Kalashree (2011) and Nritya Choodamani.

The Raslila (Sanskrit: रासलीला, romanized: Rāsalīlā), also rendered the Rasalila or the Ras dance, is part of a traditional story described in Hindu texts such as the Bhagavata Purana and Gita Govinda, where Krishna dances with Radha and the gopis of Braj. Rasalila has also been a popular theme for other India classical dances including Bharatanatyam, Odissi, Manipuri Raas Leela, Kuchipudi, and Kathak.

The Indian classical dance of Kathak and Manipuri rasalila are evolved from the rasalila of Braj. Kathak, also known as Natwari Nritya, was revived in the 1960s by the Kathak dancer, Uma Sharma.

Indian classical dance, or Shastriya Nritya, is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, the theory and practice of which can be traced to the Sanskrit text Natya Shastra.The number of Indian classical dance styles ranges from six to eight to twelve, or more, depending on the source and scholar; the main organisation for Indian arts preservation, the Sangeet Natak Academy recognizes eight: Bharatanatyam, Kathak, Kuchipudi, Odissi, Kathakali, Sattriya, Manipuri and Mohiniyattam. Additionally, the Indian Ministry of Culture includes Chhau in its list, recognising nine total styles. Scholars such as Drid Williams add Chhau, Yakshagana and Bhagavata Mela to the list. Each dance tradition originates and comes from a different state and/or region of India; for example, Bharatanatyam is from Tamil Nadu in the south of India, Odissi is from the east coast state of Odisha, and Manipuri is from the northeastern state of Manipur. The music associated with these different dance performances consists many compositions in Hindi, Malayalam, Meitei (Manipuri), Sanskrit, Tamil, Odia, Telugu, Assamese, and many other Indian-Subcontinent languages; they represent a unity of core ideas and a diversity of styles, costumes, and expression.

The culture of North India encompasses North Indian classical music or Hindustani music, the Indian classical dance of kathak and other folk dances, traditional North Indian clothing, North Indian architecture and North Indian cuisine among other aspects.

Kathak is a form of Indian classical dance. The dance style in its formative phase was inseparably linked with Krishna legend. The word Kathak comes from the word katha which means "story".

A tabla is a pair of hand drums from the Indian subcontinent. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as an accompaniment with other instruments and vocals, or as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka. The tabla is an essential instrument in the bhakti devotional traditions of Hinduism and Sikhism, such as during bhajan and kirtan singing. It is one of the main qawwali instruments used by Sufi musicians. The instrument is also featured in dance performances such as Kathak. Tabla is a rhythmic instrument.

The word tabla likely comes from tabl, the Arabic word for drum. The ultimate origin of the musical instrument is contested by scholars, though earliest evidence trace its evolution from indigenous musical instruments of the Indian subcontinent; drums like structure is mentioned in Vedic-era texts.

In Hindustani music (North Indian classical music), a gharānā is a system of social organisation in the Indian subcontinent, linking musicians or dancers by lineage or apprenticeship, and more importantly by adherence to a particular musical style.

The word gharana comes from the Hindi word 'ghar' which means 'house'. It typically refers to the place where the musical ideology originated; for example, some of the gharanas well known for singing khyals are: Gwalior, Delhi, Agra, Indore, Kashmiri, Atrauli-Jaipur, Kirana and Patiala. Four famous kathak gharanas are: Lucknow, Atrauli-Jaipur, Benares and Raigarh.

A thaat (IAST: thāṭ) is a "parent scale" in North Indian or Hindustani music. It is the Hindustani equivalent of the term Melakartha raga of Carnatic music. The concept of the thaat is not exactly equivalent to the western musical scale because the primary function of a thaat is not as a tool for music composition, but rather as a basis for classification of ragas. There is not necessarily strict compliance between a raga and its parent thaat; a raga said to 'belong' to a certain thaat need not allow all the notes of the thaat, and might allow other notes. Thaats are generally accepted to be heptatonic by definition.

The term thaat is also used to refer to the frets of stringed instruments like the sitar and the veena. It is also used to denote the posture adopted by a Kathak dancer at the beginning of their performance.