Kanun (instrument) in the context of Ancient Armenia


Kanun (instrument) in the context of Ancient Armenia

⭐ Core Definition: Kanun (instrument)

The qanun, kanun, ganoun or kanoon (Arabic: قانون, romanizedqānūn; Armenian: քանոն, romanizedk’anon; Sorani Kurdish: قانون, romanized: qānūn; Greek: κανονάκι, romanizedkanonáki, qanun; Persian: قانون, qānūn; Turkish: kanun; Azerbaijani: qanun; Uyghur: قالون, romanizedqalon) is a Middle Eastern string instrument played either solo, or more often as part of an ensemble, in much of Iran, Modern Turkey, Arab East, and Maghreb region of North Africa, later it reached West Africa, Central Asia due to Arab migration. It was also common in ancient (and modern-day) Armenia, and Greece. The name derives ultimately from Ancient Greek: κανών kanōn, meaning "rule, law, norm, principle".

The qanun traces one of its origins to a stringed Assyrian instrument from the Old Assyrian Empire, specifically from the nineteenth century BC in Mesopotamia. This instrument came inscribed on a box of elephant ivory found in the old Assyrian capital Nimrud (ancient name: Caleh). The instrument is a type of large zither with a thin trapezoidal soundboard that is famous for its unique melodramatic sound.

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Kanun (instrument) in the context of Plucked string instrument

Plucked string instruments are a subcategory of string instruments that are played by plucking the strings. Plucking is a way of pulling and releasing the string in such a way as to give it an impulse that causes the string to vibrate. Plucking can be done with either a finger or a plectrum.

Most plucked string instruments belong to the lute family (such as guitar, bass guitar, mandolin, banjo, balalaika, sitar, pipa, etc.), which generally consist of a resonating body, and a neck; the strings run along the neck and can be stopped at different pitches.

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Kanun (instrument) in the context of Gusli

The gusli (Russian: гусли, Russian pronunciation: [ˈɡuslʲɪ], Ukrainian: гусла, husla) is the oldest East Slavic multi-string plucked instrument, belonging to the zither family, due to its strings being parallel to its resonance board. Its roots lie in Veliky Novgorod in the Novgorodian Republic. It has its relatives in Europe and throughout the world: kantele in Finland, kannel in Estonia, kanklės in Lithuania, kokles in Latvia, Zither in Germany, citera in the Czech Republic, and psalterium in France. Furthermore, the kanun has been found in Arabic countries, and the autoharp, in the United States. It is also related to such ancient instruments as Chinese gu zheng, which has a thousand-year history, and its Japanese relative koto. A stringed musical instrument called guslim is listed as one of the Me in ancient Sumer.

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Kanun (instrument) in the context of Ottoman Classical Music

Ottoman music (Turkish: Osmanlı müziği) or Turkish classical music (Turkish: Klasik Türk musikisi, or more recently Türk sanat müziği, 'Turkish art music') is the tradition of classical music originating in the Ottoman Empire. Developed in the palace, major Ottoman cities, and Sufi lodges, it traditionally features a solo singer with a small to medium-sized instrumental ensemble.

A tradition of music that reached its golden age around the early 18th century, Ottoman music traces its roots back to the music of the Hellenic and Persianate world, a distinctive feature of which is the usage of a modal melodic system. This system, alternatively called makam, dastgah or echos, is a large and varied system of melodic material, defining both scales and melodic contour. In Ottoman music alone, more than 600 makams have been used so far, and out of these, at least 120 makams are in common use and formally defined. Rhythmically, Ottoman music uses the zaman and usûl systems, which determine time signatures and accents respectively. A wide variety of instruments has been used in Ottoman music, which include the turkish tanbur (lute), ney (end-blown reed flute), klasik kemençe (lyra), keman (violin), kanun (zither), and others.

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