Kansas City in the context of "Major League Soccer"

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⭐ Core Definition: Kansas City

The Kansas City metropolitan area is a bi-state metropolitan area anchored by Kansas City, Missouri. Its fourteen counties straddle the border between the U.S. states of Missouri (nine counties) and Kansas (five counties). The 8,472 square miles (21,940 km) 2024 estimated census calculated a population of more than 2.2 million people, it is the second-largest metropolitan area centered in Missouri (after Greater St. Louis) and is the largest metropolitan area in Kansas, though Wichita is the largest metropolitan area centered in Kansas. Alongside Kansas City, Missouri, these are the suburbs with populations above 100,000: Overland Park, Kansas; Kansas City, Kansas; Olathe, Kansas; Independence, Missouri; and Lee's Summit, Missouri.

Cultural attractions include the American Jazz Museum, the Kansas City Symphony, Kansas City Union Station, the National World War I Museum, the Nelson-Atkins Museum of Art, the Kemper Museum of Contemporary Art, Kauffman Center for the Performing Arts, the National Agricultural Center and Hall of Fame, Negro Leagues Baseball Museum, Arabia Steamboat Museum, Uptown Theater, Midland Theatre, the Kansas City Zoo, Swope Park (featuring Starlight Theater), Sandstone Amphitheater, the Kansas City Renaissance Festival, Worlds of Fun, Oceans of Fun, the College Basketball Experience, the NWSL’s Kansas City Current, and several casinos. Major league sports franchises include the NFL's Kansas City Chiefs, the MLB's Kansas City Royals, and the MLS's Sporting Kansas City. The Kansas Speedway is owned by NASCAR.

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Kansas City in the context of White flight

The white flight, also known as white exodus, refers to the sudden or gradual large-scale migration of white people from areas becoming more racially or ethnoculturally diverse to more racially homogenous suburban or exurban regions. The term has more recently been applied to other migrations by whites from older, inner suburbs to rural areas, as well as from the American Northeast and Midwest to the milder climate in the South and West. The term 'white flight' has also been used for large-scale post-colonial emigration of whites from Africa, or parts of that continent, driven by levels of violent crime and anti-colonial or anti-white state policies. Starting in the 1950s and 1960s, the terms became popular, especially in the United States.

Migration of middle-class white populations was observed during the civil rights movement in the 1950s and 1960s out of cities such as Baltimore, Cleveland, Detroit, Kansas City and Oakland, although racial segregation of public schools had ended there long before the Supreme Court of the United States' decision Brown v. Board of Education in 1954. In the 1970s, attempts to achieve effective desegregation (or "integration") by means of busing in some areas led to more families' moving out of former areas. More generally, some historians suggest that white flight occurred in response to population pressures, both from the large migration of blacks from the rural Southern United States to urban cities of the Northeastern United States, Midwestern United States and the Western United States in the Great Migration and the waves of new immigrants from around the world.

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Kansas City in the context of The Get Up Kids

The Get Up Kids are an American Midwest emo band from Kansas City. Formed in 1995, the band was a major act in the mid-1990s Midwest emo scene, otherwise known as the "second wave" of emo music. Their second album Something to Write Home About remains their most widely acclaimed album, and is considered to be one of the quintessential albums of the second-wave emo movement. They are considered forefathers of the emo genre, and have been widely credited as being an influence, both by contemporaries Saves the Day and later bands such as Fall Out Boy, Taking Back Sunday and the Wonder Years.

As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking on international tours of Japan and Europe. They founded Heroes & Villains Records, an imprint of the successful indie rock label Vagrant Records. While the imprint's original purpose was to release albums by the Get Up Kids, it served as a launching pad for several side-projects such as the New Amsterdams and Reggie and the Full Effect.

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