Brooklyn Museum in the context of "Game"

The Pilgrims, also known as the Pilgrim Fathers, were the English settlers who travelled to North America on the ship Mayflower and established the Plymouth Colony at what now is Plymouth, Massachusetts, United States. John Smith had named this territory New Plymouth in 1620, sharing the name of the Pilgrims' final departure port of Plymouth, Devon, England. The Pilgrims' leadership came from religious congregations of Brownists or Separatists who had fled religious persecution in England for the tolerance of 17th-century Holland in the Netherlands.

These Separatists held many of the same Calvinist religious beliefs as Puritans, but unlike Puritans (who wanted a purified established church), Pilgrims believed that their congregations should separate from the Church of England, which led to them being labelled Separatists. After several years of living in exile in Holland, they determined to establish a new settlement in the New World and arranged with investors to fund them. In 1620, they established the Plymouth Colony, in which they erected Congregational churches. The Puritans' later establishment of the Massachusetts Bay Colony eventually became more powerful in the area; but the Pilgrims' story nevertheless became a central theme in the history and culture of the United States.

A guang or gong is a particular shape used in Chinese art for vessels, originally made as Chinese ritual bronzes in the Shang dynasty (c. 1600 – c. 1046 BCE), and sometimes later in Chinese porcelain. They are a type of ewer which was used for pouring rice wine at ritual banquets, and often deposited as grave goods in high-status burial. Examples of the shape may be described as ewers, ritual wine vessels, wine pourers and similar terms, though all of these terms are also used of a number of other shapes, especially the smaller tripod jue and the larger zun.

The guang has a single thick foot, and a thick hollow body that represents one or more stylized animals (some have a head at both ends). Guangs have a vertical handle at one end and a spout at the other, both zoomorphic, and were often highly decorated with taotie. The handle of the guang is of often in the shape of the neck and head of an animal with stylized horns, and the spout of the vessel is in the form of the head of a creature whose mouth constitutes the end of the spout. The back and animal head at the pouring end usually are a removable lid, lifted off for pouring.

Fritware, also known as stone-paste, is a type of pottery in which ground glass (frit) is added to clay to reduce its fusion temperature. The mixture may include quartz or other siliceous material. An organic compound such as gum or glue may be added for binding. The resulting mixture can be fired at a lower temperature than clay alone. A glaze is then applied on the surface.

Fritware was invented to give a strong white body, which, combined with tin-glazing of the surface, allowed it to approximate the result of Chinese porcelain. Porcelain was not manufactured in the Islamic world until modern times, and most fine Islamic pottery was made of fritware. Frit was also a significant component in some early European porcelains.

Persian pottery or Iranian pottery is the pottery made by the artists of Persia (Iran) and its history goes back to early Neolithic Age (7th millennium BCE). Agriculture gave rise to the baking of clay, and the making of utensils by the people of Iran. Through the centuries, Persian potters have responded to the demands and changes brought by political turmoil by adopting and refining newly introduced forms and blending them into their own culture. This innovative attitude has survived through time and influenced many other cultures around the world.

There were two types of earthenware that were prevalent in Iran around 4,000 BC: red and black ceramics that were simplistic in their decorative style. As the art expanded, earthenware incorporated geometric designs which resulted in a more developed decorative style. This increasingly complex style was accompanied by the creation of a wider variety of the kinds of pottery that were made.

Islamic art is a part of Islamic culture and encompasses the visual arts produced since the 7th century CE by people who lived within territories inhabited or ruled by Muslim populations. Referring to characteristic traditions across a wide range of lands, periods, and genres, Islamic art is a concept used first by Western art historians in the late 19th century. Public Islamic art is traditionally non-representational, except for the widespread use of plant forms, usually in varieties of the spiralling arabesque. These are often combined with Islamic calligraphy, geometric patterns in styles that are typically found in a wide variety of media, from small objects in ceramic or metalwork to large decorative schemes in tiling on the outside and inside of large buildings, including mosques. Other forms of Islamic art include Islamic miniature painting, artefacts like Islamic glass or pottery, and textile arts, such as carpets and embroidery.

The early developments of Islamic art were influenced by Roman art, Early Christian art (particularly Byzantine art), and Sassanian art, with later influences from Central Asian nomadic traditions. Chinese art had a significant influence on Islamic painting, pottery, and textiles. From its beginnings, Islamic art has been based on the written version of the Quran and other seminal religious works, which is reflected by the important role of calligraphy, representing the word as the medium of divine revelation.

The Rhind Mathematical Papyrus (RMP; also designated as papyrus British Museum 10057, pBM 10058, and Brooklyn Museum 37.1784Ea-b) is one of the best known examples of ancient Egyptian mathematics.

It is one of two well-known mathematical papyri, along with the Moscow Mathematical Papyrus. The Rhind Papyrus is the larger, but younger, of the two.

Scandinavian design is a design movement characterized by simplicity, minimalism and functionality that emerged in the early 20th century, and subsequently flourished in the 1950s throughout the five Nordic countries: Denmark, Finland, Norway, Sweden, and Iceland.

Scandinavian designers are known especially for household goods including furniture, textiles, ceramics, lamps, and glass, but Scandinavian design has been extended to industrial design such as of consumer electronics, mobile phones, and cars.