Juliet in the context of "Titular character"

The title character in a narrative work is one who is named or referred to in the title of the work. In a performed work such as a play or film, the performer who plays the title character is said to have the title role of the piece. The title of the work might consist solely of the title character's name – such as Michael Collins or Othello – or be a longer phrase or sentence – such as Alice's Adventures in Wonderland or The Adventures of Tom Sawyer. The title character is commonly – but not necessarily – the protagonist of the story. Narrative works routinely do not have a title character and there is some ambiguity in what qualifies as one.

Examples in various media include Figaro in the opera The Marriage of Figaro, Giselle in the ballet of the same name, the Doctor in the TV series Doctor Who, Dr. Gregory House of the TV series House, Mario and Luigi in the video game Super Mario Bros., Harry Potter in the series of novels and films, and Romeo Montague and Juliet Capulet in the play Romeo and Juliet.

A soliloquy (/səˈlɪl.ə.kwi, soʊˈlɪl.oʊ-/, from Latin solus 'alone' and loqui 'to speak', pl. soliloquies) is a speech in drama in which a character speaks their thoughts aloud, typically while alone on stage. It serves to reveal the character's inner feelings, motivations, or plans directly to the audience, providing information that would not otherwise be accessible through dialogue with other characters. They are used as a narrative device to deepen character development, advance the plot, and offer the audience a clearer understanding of the psychological or emotional state of the speaker. Soliloquies are distinguished from monologues by their introspective nature and by the absence or disregard of other characters on the stage.

The soliloquy became especially prominent during the Elizabethan and Jacobean periods, when playwrights used it as a means to explore complex human emotions and ethical dilemmas. William Shakespeare employed soliloquies extensively in his plays, using them to convey pivotal moments of decision, doubt, or revelation. Notable examples include Hamlet's "To be, or not to be" speech, which reflects on life and death, and Macbeth's contemplation of the consequences of regicide. Although the use of soliloquy declined in later theatrical traditions with the rise of realism, it has continued to appear in various forms across different genres, including film and television.

Romeo Montague (Italian: Romeo Montecchi [roˈmɛːo monˈtekki]) is the male protagonist of William Shakespeare's tragedy Romeo and Juliet. The son of Lord Montague and his wife, Lady Montague, he secretly loves and marries Juliet, a member of the rival House of Capulet, through a priest named Friar Laurence.

When Romeo was forced into exile after slaying Juliet's cousin, Tybalt, in a duel, Friar Laurence gives Juliet a sleeping potion that makes her seem dead for 42 hours and sent a letter to Romeo, but it never reached him. Romeo dies by suicide upon hearing falsely of Juliet's death. Juliet later dies upon waking to find Romeo dead.

Dame Judith Olivia Dench (born 9 December 1934) is a retired English actress. Widely considered one of Britain's greatest actresses, she is noted for her versatile roles on stage and screen. Dench has garnered various accolades throughout a career that spans seven decades, including an Academy Award, a Tony Award, two Golden Globe Awards, four British Academy Television Awards, six British Academy Film Awards, and seven Olivier Awards.

Dench made her professional debut in 1957 with the Old Vic Company. Over the following few years she performed in several of Shakespeare's plays, in such roles as Ophelia in Hamlet, Juliet in Romeo and Juliet and Lady Macbeth in Macbeth. Although most of Dench's work during this period was in theatre, she also branched out into film work and won a BAFTA Award as Most Promising Newcomer. In 1968, she drew excellent reviews for her leading role of Sally Bowles in the musical Cabaret. Over the next two decades Dench established herself as one of the most significant British theatre performers, working for the National Theatre Company and the Royal Shakespeare Company.

Vivien Leigh (/liː/ LEE; born Vivian Mary Hartley; 5 November 1913 – 8 July 1967), styled as Lady Olivier after 1947, was a British actress. After completing her drama school education, Leigh appeared in small roles in four films in 1935 and progressed to the role of heroine in Fire Over England (1937). She then won the Academy Award for Best Actress twice, for her performances as Scarlett O'Hara in Gone with the Wind (1939) and Blanche DuBois in the film version of A Streetcar Named Desire (1951), a role she had also played on stage in London's West End in 1949. For the latter role, she also won the Volpi Cup for Best Actress. She also won a Tony Award for her work in the Broadway musical version of Tovarich (1963).

Despite her fame as a screen actress, Leigh was primarily a stage performer. During her 30-year career, she played roles ranging from the heroines of Noël Coward and George Bernard Shaw comedies to classic Shakespearean characters such as Ophelia, Cleopatra, Juliet and Lady Macbeth. Later in life, she performed as a character actress in a few films. Although her career had periods of inactivity, in 1999 the American Film Institute (AFI) ranked Leigh as the 16th-greatest female movie star of classic Hollywood cinema. Also lauded for her beauty, Leigh felt that her physical attributes sometimes prevented her from being taken seriously as an actress.

William Shakespeare's tragic play Romeo and Juliet, set in Verona, Italy, features the eponymous protagonists Romeo Montague and Juliet Capulet. The cast of characters includes members of their respective families and households; Prince Escalus, the city's ruler, and his kinsmen, Count Paris and Mercutio; and various unaffiliated characters such as Friar Laurence and the Chorus. In addition, the play contains two ghost characters, Petruchio and Valentine, and an unseen character, Rosaline.

Tybalt (/ˈtɪbəlt/ TIB-əlt; Italian: Tebaldo) is a fictional character and the principal antagonist in William Shakespeare's play Romeo and Juliet. He is the son of Lady Capulet's brother, Juliet's short-tempered first cousin, and Romeo's rival. Tybalt shares the same name as the character Tibert / Tybalt "the prince of cats" in the popular story Reynard the Fox, a point of mockery in the play. Mercutio repeatedly calls Tybalt "prince of cats", in reference to his sleek, yet violent manner.

Luigi da Porto adapted the story as Giulietta e Romeo and included it in his Historia novellamente ritrovata di due Nobili Amanti (Newly found tale of two Noble lovers) published in 1530. Da Porto drew on Pyramus and Thisbe, Giovanni Boccaccio's Decameron and a novella by Masuccio Salernitano. Da Porto gave it much of its modern form, including the lovers' names, the rival families of Montecchi and Capuleti, and their location in Verona. He also introduces characters corresponding to Shakespeare's Mercutio, Tybalt, and Paris. Da Porto presents his tale as historically true and claims it took place in the days of Bartolomeo II della Scala (a century earlier than Salernitano). Montague and Capulet were actual 13th century political factions, but the only known connection between them is a mention in Dante's Purgatorio as an example of civil dissension.