Judas in the context of "History painting"

⭐ In the context of history_painting, Judas, as a biblical figure, would most likely be depicted as…

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⭐ Core Definition: Judas

Judas Iscariot (/ˈdəs ɪˈskæriət/; Biblical Greek: Ἰούδας Ἰσκαριώτης, romanized: Ioúdas Iskariṓtēs; c. 3 AD – c. 30 to 33 AD) was, according to Christianity's four canonical gospels, one of the original Twelve Apostles of Jesus Christ. Judas betrayed Jesus to the Sanhedrin in the Garden of Gethsemane, in exchange for thirty pieces of silver, by kissing him on the cheek and addressing him as "master" to reveal his identity in the darkness to the crowd who had come to arrest him. In modern times, his name is often used synonymously with betrayal or treason.

The Gospel of Mark gives no motive for Judas's betrayal but does present Jesus's predicting it at the Last Supper, an event also described in all the other gospels. The Gospel of Matthew 26:15 states that Judas committed the betrayal in exchange for thirty pieces of silver. The Gospel of Luke 22:3 and the Gospel of John 13:2 and 13:27 suggest that he was possessed by Satan. According to Matthew 27:1–10, after learning that Jesus was to be crucified, Judas attempted to return the money he had been paid for his betrayal to the chief priests and hanged himself. The priests used the money to buy a field to bury strangers in, which was called the "Field of Blood" because it had been bought with blood money. Acts of the Apostles 1:18 quotes Peter as saying that Judas used the money to buy the field himself, and he "[fell] headlong ... burst asunder in the midst, and all his bowels gushed out." His place among the Twelve Apostles was later filled by Matthias.

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Judas in the context of History painter

History paintings is a genre of Western art that focuses on the depiction of historical, mythological, biblical, or literary subjects, often with a moral or didactic purpose. Considered the most prestigious genre in the academic art hierarchy during the 17th to 19th centuries, history painting aimed to capture significant moments or narratives, emphasizing grandeur, heroism, and moral lessons.

History painting is a genre in painting defined by its subject matter rather than any artistic style or specific period. History paintings depict a moment in a narrative story, most often (but not exclusively) Greek and Roman mythology and Bible stories, opposed to a specific and static subject, as in portrait, still life, and landscape painting. The term is derived from the wider senses of the word historia in Latin and histoire in French, meaning "story" or "narrative", and essentially means "story painting". Most history paintings are not of scenes from history, especially paintings from before about 1850.

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