Jubal (also Yuval, Yubal or Tubal; Hebrew: יוּבָל – Yūḇāl) is a biblical figure in Genesis 4:21 of the Hebrew Bible and Old Testament. Mentioned only once, he is sometimes regarded by Christians, particularly by medieval commentators, as the 'inventor of music'. A descendant of Cain, his father is Lamech and his brother is Jabal.
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Music theory is the study of theoretical frameworks for understanding the practices and possibilities of music. The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first refers to the "rudiments" needed to understand music notation such as key signatures, time signatures, and rhythmic notation; the second is a study of scholars' views on music from antiquity to the present; the third is a sub-topic of musicology that "seeks to define processes and general principles in music". The musicological approach to theory differs from musical analysis "in that it takes as its starting-point not the individual work or performance but the fundamental materials from which it is built."
Music theory is frequently concerned with describing how musicians and composers make music, including tuning systems and composition methods among other topics. Because of the ever-expanding conception of what constitutes music, a more inclusive definition could be the consideration of any sonic phenomena, including silence. This is not an absolute guideline, however; for example, the study of "music" in the Quadrivium liberal arts university curriculum, that was common in medieval Europe, was an abstract system of proportions that was carefully studied at a distance from actual musical practice. But this medieval discipline became the basis for tuning systems in later centuries and is generally included in modern scholarship on the history of music theory.
Music theory is the study of theoretical frameworks for understanding the practices and possibilities of music. The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology that "seeks to define processes and general principles in music". The musicological approach to theory differs from music analysis "in that it takes as its starting-point not the individual work or performance but the fundamental materials from which it is built."
Music theory is frequently concerned with describing how musicians and composers make music, including tuning systems and composition methods among other topics. Because of the ever-expanding conception of what constitutes music, a more inclusive definition could be the consideration of any sonic phenomena, including silence. This is not an absolute guideline, however; for example, the study of "music" in the Quadrivium liberal arts university curriculum, that was common in medieval Europe, was an abstract system of proportions that was carefully studied at a distance from actual musical practice. But this medieval discipline became the basis for tuning systems in later centuries and is generally included in modern scholarship on the history of music theory.
Lamech (/ˈleɪmɪk/; Hebrew: לֶמֶךְ Lémeḵ, in pausa לָמֶךְ Lā́meḵ) is a figure appearing in the Old Testament's Book of Genesis, where he is the seventh generation from Adam and father of Jabal, the first breeder of livestock, Tubal-Cain, the first metalworker, Jubal, the first musician, and Naamah. This Lamech appears in the Yahwist genealogy (the line of Cain); the Priestly source has another Lamech who is the father of Noah.
This Lamech is distinguished as an insolent man in the Abrahamic texts.