José Clemente Orozco in the context of Colegio de San Ildefonso

The Hospicio Cabañas (Spanish pronunciation: [osˈpisjo kaˈβaŋas]) or Cabañas Museum in Guadalajara, Jalisco was one of the oldest and largest orphanage and hospital complexes in the Americas. Now turned into a museum, the main hall hosts the magnum opus frescoes of muralist painter José Clemente Orozco. The place was designated a UNESCO World Heritage Site in 1997.

Mexican muralism refers to the art project initially funded by the Mexican government in the immediate wake of the Mexican Revolution (1910–1920) to depict visions of Mexico's past, present, and future, transforming the walls of many public buildings into didactic scenes designed to reshape Mexicans' understanding of the nation's history. The murals, large artworks painted onto the walls themselves had social, political, and historical messages. Beginning in the 1920s, the muralist project was headed by a group of artists known as "The Big Three" or "The Three Greats". This group was composed of Diego Rivera, José Clemente Orozco and David Alfaro Siqueiros. Although not as prominent as the Big Three, women also created murals in Mexico. From the 1920s to the 1970s, murals with nationalistic, social and political messages were created in many public settings such as chapels, schools, government buildings, and much more. The popularity of the Mexican muralist project started a tradition which continues to this day in Mexico; a tradition that has had a significant impact in other parts of the Americas, including the United States, where it served as inspiration for the Chicano art movement.

A demagogue (/ˈdɛməˌɡɒɡ/; from Ancient Greek δημαγωγός (dēmagōgós) 'popular leader, mob leader'; from Ancient Greek δῆμος (dêmos) 'people, populace' and ἀγωγός (agōgós) 'leading, guiding'), or rabble-rouser, is a political leader in a democracy who gains popularity by arousing the common people against elites, especially through oratory that whips up the passions of crowds, appealing to emotion by scapegoating out-groups, exaggerating dangers to stoke fears, lying for emotional effect, or other rhetoric that tends to drown out reasoned deliberation and encourage fanatical popularity. Demagogues overturn established norms of political conduct, or promise or threaten to do so.

Historian Reinhard Luthin defined demagogue as "a politician skilled in oratory, flattery and invective; evasive in discussing vital issues; promising everything to everybody; appealing to the passions rather than the reason of the public; and arousing racial, religious, and class prejudices—a man whose lust for power without recourse to principle leads him to seek to become a master of the masses. He has for centuries practiced his profession of 'man of the people'. He is a product of a political tradition nearly as old as western civilization itself."

David Alfaro Siqueiros (born José de Jesús Alfaro Siqueiros; December 29, 1896 – January 6, 1974) was a Mexican social realist painter, best known for his large public murals using the latest in equipment, materials and technique. Along with Diego Rivera and José Clemente Orozco, he was one of the most famous of the "Mexican muralists".

Siqueiros was a member of the Mexican Communist Party. Although he went to Spain to support the Spanish Republic against the forces of Francisco Franco with his art, he volunteered and served in frontline combat as a Lieutenant Colonel in the Army of the Republic through 1938 before returning to Mexico City. In 1940, he led a failed assassination attempt on Leon Trotsky in which Trotsky's 14-year-old grandson was shot and American communist Robert Sheldon Harte was executed. After spending several months on the run from Mexican authorities disguised as a peasant, Siqueiros was eventually apprehended in Jalisco, although he was freed shortly thereafter and never brought to trial.

Colegio de San Ildefonso, currently is a museum and cultural center in Mexico City, considered to be the birthplace of the Mexican muralism movement. San Ildefonso began as a prestigious Jesuit boarding school, and after the Reform War it gained educational prestige again as National Preparatory School. This school and the building closed completely in 1978, then reopened as a museum and cultural center in 1992. The museum has permanent and temporary art and archeological exhibitions in addition to the many murals painted on its walls by José Clemente Orozco, Fernando Leal, Diego Rivera, and others. The complex is located between San Ildefonso Street and Justo Sierra Street in the historic center of Mexico City.

The college was founded 1588 and it is composed of six sections, that are five colonial baroque: the Colegio Grande, Colegio Chico, the chapel, El Generalito and the courtyard of los Pasantes, all completed in 1749; and one modern neo-baroque: the Amphitheater Bolívar completed in 1911.