Dharmic religions in the context of "Eschatological"

Eschatology (/ˌɛskəˈtɒlədʒi/ ; from Ancient Greek ἔσχατος (éskhatos) 'last' and -logy) concerns expectations of the end of present age, human history, or the world itself. The end of the world or end times is predicted by several world religions (both Abrahamic and Dharmic), which teach that negative world events will reach a climax. Belief that the end of the world is imminent is known as apocalypticism, and over time has been held both by members of mainstream religions and by doomsday cults. In the context of mysticism, the term refers metaphorically to the end of ordinary reality and to reunion with the divine. Many religions treat eschatology as a future event prophesied in sacred texts or in folklore, while other religions may have concepts of renewal or transformation after significant events.

The Abrahamic religions maintain a linear cosmology, with end-time scenarios containing themes of transformation and redemption. In Judaism, the term "end of days" makes reference to the Messianic Age and includes an in-gathering of the exiled Jewish diaspora, the coming of the Messiah, the resurrection of the righteous, and the world to come. Christianity depicts the end time as a period of tribulation that precedes the second coming of Christ, who will face the rise of the Antichrist along with his power structure and false prophets, and usher in the Kingdom of God. The explicit description of a new earth is primarily found in Christian teachings (this description can be found in Chapter 21 of the Book of Revelation). In later traditions of Islam, separate hadiths detail the Day of Judgment as preceded by the appearance of the Masīḥ ad-Dajjāl, and followed by the descending of ʿĪsā (Jesus), which shall triumph over the false Messiah or Antichrist; his defeat will lead to a sequence of events that will end with the sun rising from the west and the beginning of the Qiyāmah (Judgment Day).

Cattle slaughter in India refers to the slaughter and consumption of bovine species in the country. It is a controversial practice due to the revered status of cattle among adherents of Dharmic religions like Hinduism, Jainism and Buddhism.

Though it is an acceptable source of meat in Abrahamic religions such as Islam, Christianity, and Judaism, many Hindus abstain from consuming beef due to cattle's high regard in Dharmic divinity. The association reflects the importance of cattle in Hindu and Jain culture and spirituality, as cattle have been an integral part of rural livelihoods as an economic necessity across Hindu, Jain, and Buddhist societies, along with council-hoods in India. Cattle slaughter has also been opposed by various Indian religions because of the ethical principle of Ahimsa (non-violence) and the belief in the unity of all life. Legislation against cattle slaughter is in place throughout most states and union territories of India.

The dharmachakra (Sanskrit: धर्मचक्र, Pali: dhammacakka) or wheel of dharma is a symbol used in the Dharmic religions. It has a widespread use in Buddhism. In Hinduism, the symbol is particularly used in places that underwent religious transformation. The symbol also finds its usage in modern India.

Historically, the dharmachakra was often used as a decoration in East Asian statues and inscriptions, beginning with the earliest period of East Asian culture to the present. It remains a major symbol of the Buddhist religion today.

Tristan und Isolde (Tristan and Isolde), WWV 90, is a music drama in three acts by Richard Wagner set to a German libretto by the composer, loosely based on the medieval 12th-century romance Tristan and Iseult by Gottfried von Strassburg. First conceived in 1854, the music was composed between 1857 and 1859 and premiered at the Königliches Hoftheater und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. While performed by opera companies, Wagner preferred the term Handlung (German for "plot" or "action") for Tristan to distinguish its structure of continuous narrative flow ("endless melody") as distinct from that of conventional opera at the time which was constructed of mundane recitatives punctuated by showpiece arias, which Wagner had come to regard with great disdain.

Wagner's composition of Tristan und Isolde was inspired in part by the philosophy of Arthur Schopenhauer, as well as by his relationship with his muse Mathilde Wesendonck. The opera, which explores existential themes such as that of mankind's insatiable striving and the transcendental nature of a love beyond death, incorporates spirituality from Christian mysticism as well as Vedantic and Buddhist metaphysics, subjects that also interested Schopenhauer. As such, Wagner was one of the earliest Western artists to introduce concepts from the Dharmic religions into their works.

Inderapura was the capital city of the medieval kingdom of Pahang that existed from 5th to 15th century. The city was mentioned several times in the Malay Annals in narrating the conquest of Pahang in 1454. The word Inderapura means "Town of Indra" in Sanskrit, Indra being the leader of the Devas and the lord of Svargaloka in Dharmic religions.

Throughout Pahang history, the capital has always been known as 'the town'. The pre-Melakans calling it by the short form Pura, while the Melakans refer it as Pekan ('the town' in Malay language), while the people of Rompin and Bebar traditionally described the capital as Pekan Pahang. Pura may have covered a much larger than the town known as Pekan today. In addition to modern Pekan, it appears to have comprised the land on the banks of Pahang river as far as Tanjung Langgar.