Jonathan Swift in the context of "John Dryden"

Polemic (/pəˈlɛmɪk/ pə-LEHM-ick, US also /-ˈlimɪk/ -⁠LEEM-ick) is contentious rhetoric intended to support a specific position by forthright claims and to undermine the opposing position. The practice of such argumentation is called polemics, which are seen in arguments on controversial topics. A person who writes polemics, or speaks polemically, is called a polemicist. The word derives from Ancient Greek πολεμικός (polemikos) 'warlike, hostile', from πόλεμος (polemos) 'war'.

Polemics often concern questions in religion or politics. A polemical style of writing was common in Ancient Greece, as in the writings of the historian Polybius. Polemic again became common in medieval and early modern times. Since then, famous polemicists have included satirist Jonathan Swift, Italian physicist and mathematician Galileo, French theologian Jean Calvin, French Enlightenment writer, historian, and philosopher Voltaire, Russian author Leo Tolstoy, socialist philosophers Karl Marx and Friedrich Engels, novelist George Orwell, playwright George Bernard Shaw, communist revolutionary Vladimir Lenin, linguist Noam Chomsky, social critics H. L. Mencken, Christopher Hitchens and Peter Hitchens, and existential philosophers Søren Kierkegaard and Friedrich Nietzsche.

In folklore, giants (from Ancient Greek: gigas, cognate giga-) are beings of humanoid appearance, but are at times prodigious in size and strength or bear an otherwise notable appearance. The word giant is first attested in 1297 from Robert of Gloucester's chronicle. It is derived from the Gigantes (Ancient Greek: Γίγαντες) of Greek mythology.

Fairy tales such as Jack the Giant Killer have formed the modern perception of giants as dimwitted and violent ogres, sometimes said to eat humans, while other giants tend to eat livestock. In more recent portrayals, like those of Jonathan Swift and Roald Dahl, some giants are both intelligent and friendly.

Irish literature is literature written in the Irish, Latin, English and Scots (Ulster Scots) languages on the island of Ireland. The earliest recorded Irish writing dates from back in the 7th century and was produced by monks writing in both Latin and Early Irish, including religious texts, poetry and mythological tales. There is a large surviving body of Irish mythological writing, including tales such as Táin Bó Cúailnge and Buile Shuibhne.

The English language was introduced to Ireland in the 13th century, following the Norman invasion of Ireland. The 16th and 17th centuries saw a major expansion of English power across Ireland, further expanding the presence of early Modern English speakers. One theory is that in the latter part of the nineteenth century saw a rapid replacement of Irish by English in the greater part of the country, largely due to the Great Famine and the subsequent decimation of the Irish population by starvation and emigration. Another theory among modern scholars is that far from being a sudden cataclysmic event the language shift was well underway much earlier. At the end of the century, however, cultural nationalism displayed a new energy, marked by the Gaelic Revival (which encouraged a modern literature in Irish) and more generally by the Irish Literary Revival.

The War of the Worlds is a science fiction novel by English author H. G. Wells about an attempted invasion of Earth by beings from the planet Mars with much greater intelligence and more advanced weapons than humans. The Martians intend to eliminate mankind and conquer Earth because their own older and smaller world has reached the "last stage of exhaustion". It was written between 1895 and 1897, and serialised in Pearson's Magazine in the UK and Cosmopolitan magazine in the US in 1897. The full novel was first published in hardcover in 1898 by William Heinemann. The War of the Worlds is one of the earliest stories to detail a conflict between humankind and an extraterrestrial race. The novel is the first-person narrative of an unnamed protagonist in Surrey and his younger brother who escapes to Tillingham in Essex as London and Southern England are invaded by Martians. It is one of the most commented-on works in the science fiction canon.

The plot is similar to other works of invasion literature from the same period and has been variously interpreted as a commentary on the theory of evolution, imperialism, and Victorian era fears, superstitions and prejudices. Wells later noted that inspiration for the plot was the catastrophic effect of European colonisation on the Aboriginal Tasmanians. Some historians have argued that Wells wrote the book to encourage his readership to question the morality of imperialism. In the preface to his collected works in 1933, Wells explained: "My early, profound and lifelong admiration for [Jonathan] Swift...is particularly evident in a predisposition to make the stories reflect upon contemporary political and social discussions", adding "The War of the Worlds like The Time Machine was another assault on human self-satisfaction", both being "consciously grim, under the influence of Swift's tradition".

The Life and Opinions of Tristram Shandy, Gentleman, also known as Tristram Shandy, is a humorous novel by Laurence Sterne. It was published from 1759 to 1767, in nine volumes across five instalments. The novel purports to be a memoir, but the titular Tristram is an effusive and digressive narrator who begins the story with his conception and doesn't reach a description of his birth until the third volume. While attempting to explain four accidents in his early life which have doomed him to an unhappy future, Tristram describes domestic conflicts between his irritable father Walter and his gentle Uncle Toby, and inserts humorous discourses on a range of intellectual topics.

Stylistically, Sterne is influenced by the earlier satirists Alexander Pope, Jonathan Swift, Rabelais, and Cervantes. The novel is characterised by innuendo, especially sexual double entendre and aposiopesis (unfinished sentences). Sterne burlesques serious writers and genres, particularly parodying Robert Burton's The Anatomy of Melancholy and the genre of consolatio. The novel is also remembered for surprising visual elements, such as blank, black, and marbled pages; entire paragraphs censored with asterisks; and inserted diagrams.

Augustan literature (sometimes referred to misleadingly as Georgian literature) is a style of British literature produced during the reigns of Queen Anne, King George I, and George II in the first half of the 18th century and ending in the 1740s, with the deaths of Alexander Pope and Jonathan Swift, in 1744 and 1745, respectively. It was a literary epoch that featured the rapid development of the novel, an explosion in satire, the mutation of drama from political satire into melodrama and an evolution toward poetry of personal exploration. In philosophy, it was an age increasingly dominated by empiricism, while in the writings of political economy, it marked the evolution of mercantilism as a formal philosophy, the development of capitalism and the triumph of trade.

The chronological boundary points of the era are generally vague, largely since the label's origin in contemporary 18th-century criticism has made it a shorthand designation for a somewhat nebulous age of satire. Samuel Johnson, whose famous A Dictionary of the English Language was published in 1755, is also "to some extent" associated with the Augustan period. The new Augustan period exhibited exceptionally bold political writings in all genres, with the satires of the age marked by an arch, ironic pose, full of nuance and a superficial air of dignified calm that hid sharp criticisms beneath.

Gulliver's Travels, originally titled Travels into Several Remote Nations of the World. In Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of Several Ships, is a 1726 satirical prose novel by the Anglo-Irish writer and clergyman Jonathan Swift. The novel satirises human nature and the imaginary "travellers' tales" literary subgenre. Gulliver's Travels is one of the most famous classics of both English and world literature, and popularised the fictional island of Lilliput. The poet John Gay remarked of the work, "It is universally read, from the cabinet council to the nursery." Although the novel is popularly classified under children's literature, Swift had originally written it as a political satire. The book has been adapted for theatrical performances, films, television, and radio over the centuries.

The story is about Lemuel Gulliver, an adventurous Englishman who travels to a series of strange and distant lands, each inhabited by unusual beings that reflect different aspects of human nature and society. In Lilliput, he encounters tiny people engaged in petty political disputes; in Brobdingnag, he is a small man among giants who criticise European customs; in Laputa, he meets impractical intellectuals disconnected from reality; and in the land of the Houyhnhnms, he finds rational horses living peacefully alongside savage human-like creatures called Yahoos. Through these journeys, the novel satirises the flaws of various civilisations.