John Bunyan in the context of "Ordo salutis"

A Harlot's Progress (also known as The Harlot's Progress) is a series of six paintings (1731, now destroyed) and engravings (1732) by the English artist William Hogarth. The series shows the story of a young woman, M. (Moll or Mary) Hackabout, who arrives in London from the country and becomes a prostitute. The series was developed from the third image. After painting a prostitute in her boudoir in a garret on Drury Lane, Hogarth struck upon the idea of creating scenes from her earlier and later life. The title and allegory are reminiscent of John Bunyan's Pilgrim's Progress.

In the first scene, an old woman praises her beauty and suggests a profitable occupation. In the second, she is a mistress with two lovers. In the third, she is a prostitute and is being arrested. In the fourth, she is beating hemp in Bridewell Prison. In the fifth scene, she is dying from venereal disease. In the last panel, she is dead at the age of 23.

Ba'al Zabub, Ba'al Zvuv or Beelzebub (/biːˈɛlzəbʌb, ˈbiːl-/ bee-EL-zə-bub, BEEL-; Hebrew: בַּעַל־זְבוּב‎ Baʿal-zəḇūḇ), also spelled Beelzebul or Belzebuth, and occasionally known as the Lord of the Flies, is a name derived from a Philistine god, formerly worshipped in Ekron, and later adopted by some Abrahamic religions as a major demon. The name Beelzebub is associated with the Canaanite god Baal.

In theological sources, predominantly Christian, Beelzebub is another name for Satan. He is known in demonology as one of the seven deadly demons or seven princes of Hell, Beelzebub representing gluttony and envy. The Dictionnaire Infernal describes Beelzebub as a being capable of flying, known as the "Lord of the Flies", "Lord of the Flyers", or the "Lord of the Flying Demons". He is also referenced in the well-known novel Lord of the Flies by William Golding due to his ties to hell and the themes of the book.

The Pilgrim's Progress from This World, to That Which Is to Come is a 1678 Christian allegory written by John Bunyan. It is commonly regarded as one of the most significant works of Protestant devotional literature and of wider early modern English literature. It has been translated into more than 200 languages and has never been out of print. It appeared in Dutch in 1681, in German in 1703 and in Swedish in 1727. The first North American edition was issued in 1681. It has also been cited as the first novel written in English. According to literary editor Robert McCrum, "there's no book in English, apart from the Bible, to equal Bunyan's masterpiece for the range of its readership, or its influence on writers as diverse as William Hogarth, C. S. Lewis, Nathaniel Hawthorne, Herman Melville, Charles Dickens, Louisa May Alcott, George Bernard Shaw, William Thackeray, Charlotte Brontë, Mark Twain, John Steinbeck and Enid Blyton." The lyrics of the hymn "To be a Pilgrim" are based on the novel.

Bunyan began his work while in the Bedfordshire county prison for violations of the Conventicle Act 1664, which prohibited the holding of religious services outside the auspices of the established Church of England. Early Bunyan scholars such as John Brown believed The Pilgrim's Progress was begun in Bunyan's second, shorter imprisonment for six months in 1675, but more recent scholars such as Roger Sharrock believe that it was begun during Bunyan's initial, more lengthy imprisonment from 1660 to 1672 right after he had written his spiritual autobiography Grace Abounding to the Chief of Sinners.

Oliver Twist; or, The Parish Boy's Progress, is the second novel by English author Charles Dickens. It was originally published as a serial from 1837 to 1839 and as a three-volume book in 1838. The story follows orphan Oliver Twist, who, after being raised in a workhouse, escapes to London, where he meets a gang of juvenile pickpockets led by the elderly criminal Fagin, discovers the secrets of his parentage, and reconnects with his remaining family.

Oliver Twist unromantically portrays the sordid lives of criminals and exposes the cruel treatment of the many orphans in England in the mid-19th century. The alternative title, The Parish Boy's Progress, alludes to Bunyan's The Pilgrim's Progress as well as the 18th-century caricature series by painter William Hogarth, A Rake's Progress and A Harlot's Progress.