John Beazley in the context of Lincoln Professor of Classical Archaeology and Art

In classical archaeology, a name vase is a specific "vase" whose painter's name is unknown but whose workshop style has been identified. The painter is conventionally named after the selected "name vase" that embodies their characteristic style, or for one of its distinctive painted subjects, or for other attributes.

The allocation of such names is necessary because the majority of ancient Greek and South Italian vase painters did not sign their works. For discussion and analysis of the work and career of individual artists conventional names were needed in order to designate them. The name can refer to a vase's motif (the Meleager Painter), former owner (the Shuvalov Painter), present location (the Baltimore Painter), find location (the Dipylon Master), inscription, habitual potter (the Kleophrades Painter), shape, and so on. For Athenian vases, the majority of such names were introduced by John D. Beazley, the first scholar to study them systematically; for South Italian vases, Arthur Dale Trendall played a similar role.

Makron was an ancient Greek vase painter active in Athens ca. 490–480 BC. Though only one signed example of his work is known to have survived, some 350 vases have been attributed to him by Sir John Beazley, making him one of the best surviving painters of the red-figure period.

"He specialized in the decoration of cups, but occasionally worked with other types of vessels. Most of his vases depict scenes from daily life: revelry, athletics, or erotica."

The epinetron (Greek: ἐπίνητρον, pl.: epinetra, ἐπίνητρα; "distaff"); Beazley also called them onoi, sg.: onos) was a shape of Attic pottery worn on the thighs of women during the preparation of wool, not unlike a thimble for the thigh. Decorated epinetra were placed on the graves of unmarried girls, or dedicated at temples of female deities.

Because of the strong association between wool-working and the Ancient Greek ideal of women and wives—as in the case of Penelope weaving in the Odyssey—it is a shape associated with the wedding.

The Shuvalov Painter was an Attic vase painter of the red-figure style, active between 440 and 410 BC, i.e. in the High Classical period (Parthenon period) in Magna Graecia.

The Shuvalov painter's conventional name was allocated by John Beazley, who chose for a name vase an amphora that is now at the Hermitage Museum, St. Petersburg. It had been acquired in the eighteenth century by the collector Ivan Ivanovich Shuvalov.

Nikosthenes was a potter of Greek black- and red-figure pottery in the time window 550–510 BC. He signed as the potter on over 120 black-figure vases, but only nine red-figure. Most of his vases were painted by someone else, called Painter N (for Nikosthenes). Beazley considers the painting "slovenly and dissolute;" that is, not of high quality. In addition, he is thought to have worked with the painters Anakles, Oltos, Lydos and Epiktetos. Six's technique is believed to have been invented in Nikosthenes' workshop, possibly by Nikosthenes himself, around 530 BC. He is considered transitional between black-figure and red-figure pottery.