Joan Crawford in the context of Greta Garbo


Joan Crawford in the context of Greta Garbo

⭐ Core Definition: Joan Crawford

Joan Crawford (born Lucille Fay LeSueur; March 23, 1906 – May 10, 1977) was an American actress. She started her career as a dancer in traveling theatrical companies before debuting on Broadway. Crawford was signed to a motion-picture contract by Metro-Goldwyn-Mayer in 1925. Initially frustrated by the size and quality of her roles, Crawford launched a publicity campaign and built an image as a nationally known flapper by the end of the 1920s. By the 1930s, Crawford's fame rivaled MGM colleagues Norma Shearer and Greta Garbo. Crawford often played hardworking, young women who find romance and financial success. These "rags-to-riches" stories were well received by Depression-era audiences and were popular with women. Crawford became one of Hollywood's most prominent movie stars and one of the highest paid women in the United States, but her films began losing money. By the end of the 1930s, she was labeled "box office poison".

After an absence of nearly two years from the screen, Crawford staged a comeback by starring in Mildred Pierce (1945), for which she won the Academy Award for Best Actress. In 1955, she became involved with the Pepsi-Cola Company, through her marriage to company president Alfred Steele. After his death in 1959, Crawford was elected to fill his vacancy on the board of directors but was forced to retire in 1973. She continued acting in film and television regularly through the 1960s, when her performances became fewer; after the release of the horror film Trog in 1970, Crawford retired from the screen. She withdrew from public life and became increasingly reclusive until her death in 1977.

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Joan Crawford in the context of Anthology series

An anthology series is a written series, radio, television, film, or video game series that presents a different story and a different set of characters in each different episode, season, segment, or short. These usually have a different cast in each episode, but several series in the past, such as Four Star Playhouse, employed a permanent troupe of character actors who would appear in a different drama each week. Some anthology series, such as Studio One, began on radio and then expanded to television.

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Joan Crawford in the context of Dragon Lady (Terry and the Pirates)

The Dragon Lady, also known as Madam Deal, was a well-known character in the U.S. comic strip Terry and the Pirates, created by Milton Caniff, and in the movie serial, comic books, and TV series based on the comic strip. She was inspired and modeled after Lai Choi San, a real-life 20th century pirate, while her early physical appearance was taken from actress Joan Crawford.

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Joan Crawford in the context of The Women (1939 film)

The Women is a 1939 American comedy-drama film directed by George Cukor. The film is based on Clare Boothe Luce's 1936 play of the same name, and was adapted for the screen by Anita Loos and Jane Murfin, who had to make the film acceptable for the Production Code for it to be released.

The film stars Norma Shearer, Joan Crawford, Rosalind Russell, Paulette Goddard, Joan Fontaine, Lucile Watson, Mary Boland, Florence Nash, and Virginia Grey. Marjorie Main and Phyllis Povah also appear, reprising their stage roles from the play. Ruth Hussey, Virginia Weidler, Butterfly McQueen, Theresa Harris, and Hedda Hopper also appear in smaller roles. Fontaine was the last surviving actress with a credited role in the film; she died in 2013.

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