Jiquilpan, Michoacán in the context of Municipalities of Michoacán


Jiquilpan, Michoacán in the context of Municipalities of Michoacán

⭐ Core Definition: Jiquilpan, Michoacán

Jiquilpan (Spanish: [xiˈkilpan] ; also spelled Xiuquilpan, Xiquilpan, Xiquilpa, based on a Náhuatl word for "place of tint plants") is a municipality in the Mexican state of Michoacán. Its municipal seat is Jiquilpan de Juárez.

Jiquilpan is the birthplace of two presidents of the republic: Anastasio Bustamante, who served as President on three occasions in the mid-19th century; and also of one of the most popular presidents of Mexico, Lázaro Cárdenas.

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Jiquilpan, Michoacán in the context of Lázaro Cárdenas

Lázaro Cárdenas del Río (Spanish pronunciation: [ˈlasaɾo ˈkaɾðenas] ; 21 May 1895 – 19 October 1970) was a Mexican army officer and politician who served as president of Mexico from 1934 to 1940. Previously, he served as a general in the Constitutional Army during the Mexican Revolution and as Governor of Michoacán and President of the Institutional Revolutionary Party. He later served as the Secretary of National Defence. During his presidency, which is considered the end of the Maximato, he implemented massive land reform programs, led the expropriation of the country's oil industry, and implemented many key social reforms.

Born in Jiquilpan, Michoacán, to a working-class family, Cárdenas joined the Mexican Revolution and became a general in the Constitutionalist Army. Although he was not from the state of Sonora, whose revolutionary generals dominated Mexican politics in the 1920s, Cárdenas was hand-picked by Plutarco Elías Calles, Sonoran general and former president of Mexico, as a presidential candidate and won in the 1934 general election.

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Jiquilpan, Michoacán in the context of José Clemente Orozco

José Clemente Orozco (November 23, 1883 – September 7, 1949) was a Mexican caricaturist and painter, who specialized in political murals that established the Mexican Mural Renaissance together with murals by Diego Rivera, David Alfaro Siqueiros, and others. Orozco was the most complex of the Mexican muralists, fond of the theme of human suffering, but less realistic and more fascinated by machines than Rivera. Mostly influenced by Symbolism, he was also a genre painter and lithographer. Between 1922 and 1948, Orozco painted murals in Mexico City; Orizaba; Claremont, California; New York City; Hanover, New Hampshire; Guadalajara, Jalisco; and Jiquilpan, Michoacán.

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