Jew's harp in the context of "Music of Hungary"

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⭐ Core Definition: Jew's harp

The Jew's harp, also known as jaw harp, juice harp, or mouth harp, is a lamellophone instrument, consisting of a flexible metal or bamboo tongue or reed attached to a frame. Despite the colloquial name, the Jew's harp most likely originated in China, with the earliest known Jew's harps dating back 4,000 years ago from Shaanxi province. It has no relation to the Jewish people.

Jew's harps may be categorized as idioglot or heteroglot (whether or not the frame and the tine are one piece); by the shape of the frame (rod or plaque); by the number of tines, and whether the tines are plucked, joint-tapped, or string-pulled.

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👉 Jew's harp in the context of Music of Hungary

Hungary has made many contributions to the fields of folk, popular and classical music. Hungarian folk music is a prominent part of the national identity and continues to play a major part in Hungarian music. The Busójárás carnival in Mohács is a major folk music event in Hungary, formerly featuring the long-established and well-regarded Bogyiszló orchestra. Instruments traditionally used in Hungarian folk music include the citera, cimbalom, cobza, doromb, duda, kanászkürt, tárogató, tambura, tekero and ütőgardon. Traditional Hungarian music has been found to bear resemblances to the musical traditions of neighbouring Balkan countries and Central Asia.

Hungarian classical music has long been an "experiment, made from Hungarian antedecents and on Hungarian soil, to create a conscious [variant of] musical culture [using the] musical world of the folk song". Although the Hungarian upper class has long had cultural and political connections with the rest of Europe, leading to an influx of European musical ideas, the rural peasants maintained their own traditions such that by the end of the 19th century, Hungarian composers could draw on rural peasant music to (re)create a Hungarian classical style. For example, Béla Bartók and Zoltán Kodály, two of Hungary's most famous composers, are known for using folk themes in their music. Bartók collected folk songs from across Central and Eastern Europe, including Croatia, Czechia, Poland, Romania, Slovakia and Serbia, whilst Kodály was more interested in uncovering a distinctively Hungarian musical style.

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Jew's harp in the context of Lamellophone

A lamellophone (also lamellaphone or linguaphone) is a member of the family of musical instruments that makes its sound by a thin vibrating plate called a lamella or tongue, which is fixed at one end and has the other end free. When the musician depresses the free end of a plate with a finger or fingernail, and then allows the finger to slip off, the released plate vibrates. An instrument may have a single tongue (such as a Jew's harp) or a series of multiple tongues (such as a mbira thumb piano).

Linguaphone comes from the Latin root lingua meaning 'tongue', (i.e., a long thin plate that is fixed only at one end). Lamellophone comes from the Latin word lamella for 'small metal plate', and the Greek word φωνή phonē for 'sound, voice'.

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Jew's harp in the context of Tine (structural)

Tines (/ˈtnz/; also spelled tynes), prongs or teeth are parallel or branching spikes forming parts of a tool or natural object. They are used to spear, hook, move or otherwise act on other objects. They may be made of wood, bone, metal, or similar materials.

The number of tines on tools varies widely a pitchfork may have just two, a garden fork may have four, and a rake or harrow many. Tines may be blunt, such as those on a fork used as an eating utensil; or sharp, as on a pitchfork; or even barbed, as on a trident. The terms tine and prong are synonymous. A tooth of a comb is a tine. The term is also used on musical instruments such as the Jew's harp, tuning fork, guitaret, electric piano, music box or mbira (kalimba) which contain long protruding metal spikes ("tines") which are plucked to produce notes.

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Jew's harp in the context of Jug band

A jug band is a band employing a jug player and a mix of conventional and homemade instruments. These homemade instruments are ordinary objects adapted to or modified for making sound, like the washtub bass, washboard, spoons, bones, stovepipe, jew's harp, and comb and tissue paper. The term 'jug band' is loosely used in referring to ensembles that also incorporate homemade instruments, but those are more accurately referred to as skiffle bands, spasm bands, or juke (or jook) bands (see juke joint) because they do not include a jug player.

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