Jean de Court in the context of François Clouet


Jean de Court in the context of François Clouet

⭐ Core Definition: Jean de Court

Jean de Court used painted Limoges enamel and oil painting, and served as official portrait painter to the monarchs of Scotland and France. The de Court dynasty of enamel painters ran a workshop making Limoges enamel over several generations in Limoges in south-western France.

In 1567, he is recorded as a valet and court painter of Mary Queen of Scots, although it is not clear if he had actually accompanied her to Scotland. In 1572, he succeeded François Clouet as painter to the king at the court of her brother-in-law Charles IX of France, and was in turn succeeded by his son, Charles de Court, in 1584 or 1589. Jean de Court painted in 1574 a portrait of Henry III, then Duke of Anjou. He painted a miniature portrait of him as king four years later.

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Jean de Court in the context of Limoges enamel

Limoges enamel has been produced at Limoges, in south-western France, over several centuries up to the present. There are two periods when it was of European importance. From the 12th century to 1370 there was a large industry producing metal objects decorated in enamel using the champlevé technique, of which most of the survivals (estimated at around 7,500 pieces), and probably most of the original production, are religious objects such as reliquaries.

After a gap of a century, the industry revived in the late 15th century, now specializing in the technique of painted enamel, and within a few decades making rather more secular than religious pieces. In the French Renaissance it was the leading centre, with several dynastic workshops, who often signed or punchmarked their work. Luxury pieces such as plates, plaques and ewers were painted with sophisticated Mannerist decoration of pictorial figure scenes, which on vessels were surrounded by elaborate borders.

View the full Wikipedia page for Limoges enamel
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