Jean-Simon Berthélemy in the context of "Gordian knot"

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⭐ Core Definition: Jean-Simon Berthélemy

Jean-Simon Berthélemy (5 March 1743 – 1 March 1811) was a French history painter who was commissioned to paint allegorical ceilings for the Palais du Louvre, the Luxembourg Palace and others, in a conservative Late Baroque-Rococo manner only somewhat affected by Neoclassicism.

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Jean-Simon Berthélemy in the context of Gordian Knot

The cutting of the Gordian Knot is an Ancient Greek legend associated with Alexander the Great in Gordium in Phrygia, regarding a complex knot that tied an oxcart. Reputedly, whoever could untie it would be destined to rule all of Asia. In 333 BC, Alexander was challenged to untie the knot. Instead of untangling it laboriously as everyone expected, he dramatically cut through it with his sword. This is used as a metaphor for inventing an unexpected method to solve a seemingly intractable problem.

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Jean-Simon Berthélemy in the context of Knot

A knot is an intentional complication in cordage which may be practical or decorative, or both. Practical knots are classified by function, including hitches, bends, loop knots, and splices: a hitch fastens a rope to another object; a bend fastens two ends of a rope to each another; a loop knot is any knot creating a loop; and splice denotes any multi-strand knot, including bends and loops. A knot may also refer, in the strictest sense, to a stopper or knob at the end of a rope to keep that end from slipping through a grommet or eye. Knots have excited interest since ancient times for their practical uses, as well as their topological intricacy, studied in the area of mathematics known as knot theory.

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