Jean-Pierre Léaud, ComM (French: [ʒɑ̃pjɛʁ le.o]; born 28 May 1944) is a French actor best known for being an important figure of the French New Wave and his portrayal of Antoine Doinel in a series of films by François Truffaut, beginning with The 400 Blows (1959). He has worked with Jean-Luc Godard, Agnès Varda, and Jacques Rivette, as well as other notable directors such as Jean Cocteau, Pier Paolo Pasolini, Bernardo Bertolucci, Catherine Breillat, Jerzy Skolimowski, and Aki Kaurismäki.
François Roland Truffaut (UK: /ˈtruːfoʊ, ˈtrʊ-/ TROO-foh, TRUU-, US: /truːˈfoʊ/ troo-FOH; French: [fʁɑ̃swa ʁɔlɑ̃ tʁyfo]; 6 February 1932 – 21 October 1984) was a French filmmaker, actor, and critic. He is widely regarded as one of the founders of the French New Wave. He came under the tutelage of film critic Andre Bazin as a young man and was hired to write for Bazin's Cahiers du Cinéma, where he became a proponent of the auteur theory, which posits that a film's director is its true author. The 400 Blows (1959), starring Jean-Pierre Léaud as Truffaut's alter-ego Antoine Doinel, was a defining film of the New Wave. Truffaut supplied the story for another milestone of the movement, Breathless (1960), directed by his Cahiers colleague Jean-Luc Godard.
His other notable films include Shoot the Piano Player (1960), Jules and Jim (1962), The Soft Skin (1964), Two English Girls (1971) and The Last Metro (1980). Truffaut's Day for Night (1973) earned him the BAFTA Award for Best Film and the Academy Award for Best Foreign Language Film. He played the doctor in The Wild Child (1970), the director of the film-within-the-film in Day For Night and the scientist in Steven Spielberg's Close Encounters of the Third Kind (1977). He starred in The Green Room (1978), based on Henry James's "The Altar of the Dead". He wrote Hitchcock/Truffaut (1966), a book-length interview with his hero Alfred Hitchcock which tied for second on Sight and Sound's list of the greatest books on film. Truffaut paid homage to Hitchcock in The Bride Wore Black (1968), Mississippi Mermaid (1969) and his last film, Confidentially Yours (1983).
The 400 Blows (French: Les quatre cents coups) is a 1959 French coming-of-age drama film, and the directorial debut of François Truffaut, who also co-wrote the film. Shot in the anamorphic format DyaliScope, the film stars Jean-Pierre Léaud, Albert Rémy, and Claire Maurier. One of the defining films of the French New Wave, it displays many of the characteristic traits of the movement. Written by Truffaut and Marcel Moussy, the film is about Antoine Doinel (a semi-autobiographical character), a misunderstood adolescent in Paris, who struggles with his parents and teachers due to his rebellious behavior. It was filmed on location, in Paris and Honfleur.
The 400 Blows received numerous awards and nominations, including the Cannes Film Festival Award for Best Director, the OCIC Award, and a Palme d'Or nomination in 1959, and was also nominated for an Academy Award for Best Original Screenplay in 1960. The film had 4.1 million admissions in France, making it Truffaut's most successful film in his home country.
Antoine Doinel (French: [ɑ̃twan dwanɛl]) is a fictional character created by François Truffaut (1932–1984) and portrayed by actor Jean-Pierre Léaud (b. 1944) in five films directed by Truffaut. Doinel is to a great extent an alter ego for Truffaut; they share many of the same childhood experiences, look somewhat alike and are even mistaken for one another on the street. Although Truffaut did not initially plan for Doinel to be a recurring character, he eventually returned to the character in one short and three features after introducing him in his debut film The 400 Blows (1959). In all, Truffaut followed the fictional life of Antoine Doinel for over 20 years, depicting his romance with Christine (Claude Jade) in Stolen Kisses (1968), then Antoine and Christine's marriage in Bed and Board (1970) and their subsequent divorce in Love on the Run (1979).
Two English Girls (French: Les Deux Anglaises et le Continent; UK title: Anne and Muriel), is a 1971 French romantic drama film directed by François Truffaut and adapted from a 1956 novel of the same name by Henri-Pierre Roché. It stars Jean-Pierre Léaud as Claude, Kika Markham as Anne, and Stacey Tendeter as Muriel. Truffaut restored 20 minutes of footage, which fills out the characters, before his death in 1984.
The novel was first published in English in 2004, translated by Walter Bruno and published by Cambridge Book Review Press, Cambridge, Wisconsin.
Day for Night (French: La Nuit américaine, lit. 'American Night') is a 1973 romantic comedy-drama film co-written and directed by François Truffaut. The metafictional and self-reflexive film chronicles the troubled production of a melodrama, and the various personal and professional challenges of the cast and crew. It stars Jacqueline Bisset, Valentina Cortese, Jean-Pierre Aumont, Dani, Alexandra Stewart, Jean-Pierre Léaud and Truffaut himself.
The film premiered out of competition at the 1973 Cannes Film Festival and won the Academy Award for Best Foreign Language Film the following year. At the 1975 Oscars, the film was nominated for Best Director, Best Original Screenplay, and Best Supporting Actress for Valentina Cortese. The film also won three BAFTA Awards, for Best Film, Best Direction, and Best Actress in a Supporting Role for Cortese.