Jean-François Millet in the context of Paul Delaroche

The Barbizon school (French: école de Barbizon, pronounced [ekɔl də baʁbizɔ̃]) is the name given to oil painters and others who were part of an art movement advancing Realism in art, which arose in the context of the dominant Romantic Movement of the time. Roughly active from 1830 through 1870, the "school" gained its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape painting, which occasionally included farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, color, loose brushwork, and softness of form.

The leaders of the Barbizon school were: Théodore Rousseau, Charles-François Daubigny, Jules Dupré, Edouard Manet, Edgar Degas, Constant Troyon, Charles Jacque, and Narcisse Virgilio Díaz. Jean-François Millet lived in Barbizon from 1849, but his interest in figures with a landscape backdrop sets him rather apart from the others. Jean-Baptiste-Camille Corot was the earliest on the scene, first painting in the forest in 1829, but British art historian Harold Osborne suggested that "his work has a poetic and literary quality which sets him somewhat apart". Other artists associated with the school, often pupils of the main group, include: Henri Harpignies, Albert Charpin, François-Louis Français, and Émile van Marcke.

William Morris Hunt (March 31, 1824 – September 8, 1879) was an American painter. Born into the political Hunt family of Vermont, he trained in Paris with the realist Jean-François Millet and studied under him at the Barbizon artists’ colony, before founding a similar group on his return to America. He became Boston's leading portrait and landscape painter, also working as a lithographer and sculptor. In 1871 he was elected to the National Academy of Design as an Associate Academician. Many of his works were destroyed in the Great Boston Fire of 1872. Another disaster was the deterioration of the stone panels in the State Capitol at Albany, New York, on which a number of his murals had been painted. This is believed to have led to his depression and presumed suicide.

The Angelus (/ˈændʒələs/; Latin for "angel") is a Catholic devotion commemorating the Incarnation of Christ. As with many Catholic prayers, the name Angelus is derived from its incipit—the first few words of the text: Angelus Domini nuntiavit Mariæ ("The Angel of the Lord declared unto Mary"). The devotion is practised by reciting as versicle and response three Biblical verses narrating the mystery, alternating with the prayer "Hail Mary". The Angelus exemplifies a species of prayers called the "prayer of the devotee".

The devotion is traditionally recited in Roman Catholic churches, convents, monasteries and by the faithful three times a day: in the morning, at noon and in the evening (usually just before or after Vespers). The devotion is also observed by some Western Rite Orthodox, Lutheran, and Anglican churches.

Charles-Émile Jacque (23 May 1813 – 7 May 1894) was a French painter of Pastoralism and engraver who was, with Jean-François Millet, part of the Barbizon School. He first learned to engrave maps when he spent seven years in the French Army.

The Barbizon school (French: école de Barbizon, pronounced [ekɔl də baʁbizɔ̃]) is the name given to oil painters and others who were part of an art movement advancing Realism in art, which arose in the context of the dominant Romantic Movement of the time. Roughly active from 1830 through 1870, the "school" gained its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape painting, which occasionally included farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, color, loose brushwork, and softness of form.

The leaders of the Barbizon school were: Théodore Rousseau, Charles-François Daubigny, Jules Dupré, Édouard Manet, Edgar Degas, Constant Troyon, Charles Jacque, and Narcisse Virgilio Díaz. Jean-François Millet lived in Barbizon from 1849, but his interest in figures with a landscape backdrop sets him rather apart from the others. Jean-Baptiste-Camille Corot was the earliest on the scene, first painting in the forest in 1829, but British art historian Harold Osborne suggested that "his work has a poetic and literary quality which sets him somewhat apart". Other artists associated with the school, often pupils of the main group, include: Henri Harpignies, Albert Charpin, François-Louis Français, and Émile van Marcke.