Japanese tea ceremony in the context of Okakura Kakuzō

Ikoma (生駒市, Ikoma-shi) is a city in the northwestern end of Nara Prefecture in the Kansai region of Japan. It was founded on November 1, 1971. As of September 1, 2023, the city has an estimated population of 117,259, with 51,478 households. It has a population density of 2,300 persons per km², and it has the third largest population in the prefecture. The total area is 53.18 km². The city is known as one of the most affluent suburbs of the Greater Osaka Metropolitan Area (Keihanshin), with a high rate of college graduates, professionals, and company directors amongst its residents. As a result, the city has developed as a satellite city of Osaka, with some 54% of its residents commuting across prefectural borders to Osaka. Kansai Science City is partially located in Ikoma, which is also home to the Nara Institute of Science and Technology. The city is also famous for chasen.

Tenmoku (天目, also spelled "temmoku" and "temoku") is a type of glaze that originates in imitating Chinese Jian ware (建盏) of the southern Song dynasty (1127–1279), original examples of which are also called tenmoku in Japan.

Jian ware tea bowl shapes are conical in form with a slight indent below the rim. They are about 4–5 inches (10–13 cm) in height. The emphasis is on the ceramic glaze, where a number of distinct effects can be produced, some including an element of randomness that has a philosophical appeal to the Japanese. The tea-masters who developed the Japanese tea ceremony promoted the aesthetic underlying tenmoku pottery.

Iemoto (家元, lit. 'family foundation') is a Japanese term used to refer to the founder or current Grand Master of a certain school of traditional Japanese art. It is used synonymously with the term sōke (宗家) when it refers to the family or house that the iemoto is head of and represents.

The word iemoto is also used to describe a system of familial generations in traditional Japanese arts such as tea ceremony (including sencha), ikebana, Noh, calligraphy, traditional Japanese dance, traditional Japanese music, the Japanese art of incense appreciation (kōdō), and Japanese martial arts. Shogi and Go once used the iemoto system as well. The iemoto system is characterized by a hierarchical structure and the supreme authority of the iemoto, who has inherited the secret traditions of the school from the previous iemoto.

Ii Naosuke (井伊 直弼; November 29, 1815 – March 24, 1860) was a daimyō (feudal lord) of Hikone (1850–1860) and also Tairō of the Tokugawa shogunate, Japan, a position he held from April 23, 1858, until his assassination in the Sakuradamon Incident on March 24, 1860. He is most famous for signing the Harris Treaty with the United States, granting access to ports for trade to American merchants and seamen and extraterritoriality to American citizens. He was also an enthusiastic and accomplished practitioner of the Japanese tea ceremony, in the Sekishūryū style, and his writings include at least two works on the tea ceremony.

Under Ii Naosuke's guidance, the Tokugawa shogunate navigated past a particularly difficult conflict over the succession to the ailing and childless Tokugawa Iesada. Ii Naosuke managed to coerce the Tokugawa shogunate to the last brief resurgence of its power and position in Japanese society before the start of the Meiji period. Ii was assassinated in the Sakuradamon incident by a group of 17 Mito and 1 Satsuma samurai on March 24, 1860.

Pottery and porcelain (陶磁器, tōjiki; also yakimono (焼きもの), or tōgei (陶芸)) is one of the oldest Japanese crafts and art forms, dating back to the Neolithic period. Types have included earthenware, pottery, stoneware, porcelain, and blue-and-white ware. Japan has an exceptionally long and successful history of ceramic production. Earthenwares were made as early as the Jōmon period (10,500–300 BC), giving Japan one of the oldest ceramic traditions in the world. Japan is further distinguished by the unusual esteem that ceramics hold within its artistic tradition, owing to the enduring popularity of the tea ceremony. During the Azuchi-Momoyama period (1573–1603), kilns throughout Japan produced ceramics with unconventional designs. In the early Edo period, the production of porcelain commenced in the Hizen-Arita region of Kyushu, employing techniques imported from Korea. These porcelain works became known as Imari wares, named after the port of Imari from which they were exported to various markets, including Europe.

Japanese ceramic history records the names of numerous distinguished ceramists, and some were artist-potters, e.g. Hon'ami Kōetsu, Ninsei, Ogata Kenzan, and Aoki Mokubei. Japanese anagama kilns also have flourished through the ages, and their influence weighs with that of the potters. Another important Japanese constituent of the art is the continuing popularity of unglazed high-fired stoneware even after porcelain became popular. Since the 4th century AD, Japanese ceramics have often been influenced by the artistic sensibilities of neighbouring East Asian civilizations such as Chinese and Korean-style pottery. Japanese ceramists and potters took inspiration from their East Asian artistic counterparts by transforming and translating the Chinese and Korean prototypes into a uniquely Japanese creation, with the resultant form being distinctly Japanese in character. Since the mid-17th century when Japan started to industrialize, high-quality standard wares produced in factories became popular exports to Europe. In the 20th century, a homegrown cottage ceramics industry began to take root and emerge. Major Japanese ceramic companies include Noritake and Toto Ltd.

Kamigyō-ku (上京区; かみぎょうく) is one of the eleven wards in the city of Kyoto, in Kyoto Prefecture, Japan. The ward was a district of residences for the royalty, aristocrats, and upper classes in the old capital of JapanーHeian-kyō. Located in the center of the present-day city of Kyoto, Japan, it previously occupied the northern region of the ancient capital of Kyoto. The Kamo River flows on the eastern border of the ward.

The ward is home to the Kyoto Imperial Palace, the Kitano Tenmangu Shinto shrine, the Seimei shrine, nishijin-ori textiles, and the headquarters of the Omotesenke and Urasenke schools of Japanese tea ceremony.

Fukusa (袱紗; also written as 帛紗 and 服紗) are a type of Japanese textile used for gift-wrapping or for purifying equipment during a Japanese tea ceremony. Fukusa are square or almost square pieces of lined fabric ranging in size about 9–36 inches (230–910 mm) along one side. They are typically made of fine silk and may be decorated with embroidery in auspicious designs.

The use of fukusa as a way of presenting gifts has mostly died out, lingering instead mainly in certain ritual exchanges of gifts during weddings in a few regions of Japan.