Japanese popular culture in the context of "Manga"

Japanese culture has changed greatly over the millennia, from the country's prehistoric Jōmon period, to its contemporary modern culture, which absorbs influences from Asia and other regions of the world.

Since the Jomon period, ancestral groups like the Yayoi and Kofun, who arrived to Japan from Korea and China, respectively, have shaped Japanese culture. Rice cultivation and centralized leadership were introduced by these groups, shaping Japanese culture. Chinese dynasties, particularly the Tang dynasty, have influenced Japanese culture throughout history and brought it into the Sinosphere. After 220 years of isolation, the Meiji era opened Japan to Western influences, enriching and diversifying Japanese culture. Popular culture shows how much contemporary Japanese culture influences the world.

The Ultra Series (Japanese: ウルトラシリーズ, Hepburn: Urutora Shirīzu), also known as Ultraman, is a Japanese science fiction media franchise owned and produced by Tsuburaya Productions, which began with the television series Ultra Q in 1966. The franchise has expanded into many television shows, films, comic books, and other media publications, becoming one of the most prominent productions in the Japanese tokusatsu and kaiju genres and pioneering the Kyodai Hero subgenre. The Ultraman series is centered on a fictional alien race of superheroes who often combat kaiju or other aliens.

In Japan, the Ultraman brand generated $7.4 billion US dollars in merchandising revenue from 1966 to 1987. This makes it one of the highest-grossing media franchises of all time. Ultraman was the world's third top-selling licensed character in the 1980s, largely due to his popularity in Asia. References to Ultraman are abundant in Japanese popular culture, much like references to Superman in Western culture.

Hideaki Anno (Japanese: 庵野 秀明, Hepburn: Anno Hideaki; born May 22, 1960) is a Japanese animator, filmmaker, actor, producer, and voice actor. His most celebrated creation, the Evangelion franchise, has had a significant influence on the anime television industry and Japanese popular culture. Anno's style is defined by his postmodernist approach and the extensive portrayal of characters' thoughts and emotions.

Anno's other directorial works include Daicon Film's Return of Ultraman (1983), Gunbuster (1988), Nadia: The Secret of Blue Water (1990), Kare Kano (1998), Love & Pop (1998), Shiki-Jitsu (2000), Cutie Honey (2004), Re: Cutie Honey (2004), Rebuild of Evangelion (2007–2021), and Shin Godzilla (2016), with the latter film marking the beginning of the Shin trilogy of tokusatsu franchise reboots, followed by Shin Ultraman (2022) and Shin Kamen Rider (2023). Several of Anno's anime have won the Animage Anime Grand Prix award, including Nadia: The Secret of Blue Water in 1990, Neon Genesis Evangelion in 1995 and 1996, and The End of Evangelion in 1997.