Japanese art in the context of "Japanese sculpture"

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⭐ Core Definition: Japanese art

Japanese art consists of a wide range of art styles and media that includes ancient pottery, sculpture, ink painting and calligraphy on silk and paper, ukiyo-e paintings and woodblock prints, ceramics, origami, bonsai, and more recently manga and anime. It has a long history, ranging from the beginnings of human habitation in Japan, sometime in the 10th millennium BCE, to the present day.

Japan has alternated between periods of exposure to new ideas, and long periods of minimal contact with the outside world. Over time the country absorbed, imitated, and finally assimilated elements of foreign culture that complemented already-existing aesthetic preferences. The earliest complex art in Japan was produced in the 7th and 8th centuries in connection with Buddhism. In the 9th century, as the Japanese began to turn away from China and develop indigenous forms of expression, the secular arts became increasingly important; until the late 15th century, both religious and secular arts flourished. After the Ōnin War (1467–1477), Japan entered a period of political, social, and economic turmoil that lasted for over a century. In the state that emerged under the leadership of the Tokugawa shogunate, organized religion played a much less important role in people's lives, and the arts that survived were primarily secular. The Meiji Period (1868–1912) saw an abrupt influx of Western styles, which have continued to be important.

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Japanese art in the context of National Museum of Modern Art, Tokyo

The National Museum of Modern Art, Tokyo (東京国立近代美術館, Tōkyō Kokuritsu Kindai Bijutsukan), also known as MOMAT, is the foremost museum collecting and exhibiting modern Japanese art. The museum, in Chiyoda, Tokyo, Japan, is known for its collection of 20th-century art and includes Western-style and Nihonga artists. It has a branch, the National Crafts Museum, in the city of Kanazawa.

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Japanese art in the context of Heian period

The Heian period (平安時代, Heian jidai) is the last division of classical Japanese history, running from 794 to 1185. It followed the Nara period, beginning when the 50th emperor, Emperor Kammu, moved the capital of Japan to Heian-kyō (modern Kyoto). Heian (平安) means 'peace' in Japanese. It is a period in Japanese history when the Chinese influences were in decline and the national culture matured. The Heian period is also considered the peak of the Japanese imperial court, noted for its art, especially poetry and literature. Two syllabaries unique to Japan, katakana and hiragana, emerged during this time. This gave rise to Japan's famous vernacular literature, with many of its texts written by court ladies who were not as educated in Chinese as their male counterparts.

Although the Imperial House of Japan had power on the surface, the real power was in the hands of the Fujiwara clan, a powerful aristocratic family who had intermarried with the imperial family; most Emperors of the Heian era had mothers from the Fujiwara family. The economy mostly existed through barter and trade due to the lack of a national currency, while the shōen system encouraged the growth of aristocratic estates that began gradually asserting their independence from Imperial control. Despite a lack of serious warfare or domestic strife during the Heian era, crime and banditry were widespread as the Emperors failed to police the country effectively.

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Japanese art in the context of Edo period

The Edo period, also known as the Tokugawa period, is the period between 1600 or 1603 and 1868 in the history of Japan, when the country was under the rule of the Tokugawa shogunate and some 300 regional daimyo, or feudal lords. Emerging from the chaos of the Sengoku period, the Edo period was characterized by prolonged peace and stability, urbanization and economic growth, strict social order, isolationist foreign policies, and popular enjoyment of arts and culture.

In 1600, Tokugawa Ieyasu prevailed at the Battle of Sekigahara and established hegemony over most of Japan, and in 1603 was given the title shogun by Emperor Go-Yōzei. Ieyasu resigned two years later in favor of his son Hidetada, but maintained power, and defeated the primary rival to his authority, Toyotomi Hideyori, at the Siege of Osaka in 1615 before his death the next year. Peace generally prevailed from this point on, making samurai largely redundant. Tokugawa shoguns continued Ieyasu's policies of conformity, including a formalization of social classes in a strict hierarchy. By 1639, all foreigners were expelled under the policy of sakoku, with the exception of Dutch traders on the island of Dejima in Nagasaki, beginning a period of isolation. From 1635, daimyō had to spend alternating years in the capital Edo, where their family was required to reside permanently, in a system of "alternate attendance" in order to keep them in check.

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Japanese art in the context of Japonisme

Japonisme is a French term that refers to the popularity and influence of Japanese art and design among a number of Western European artists in the nineteenth century following the forced reopening of foreign trade with Japan in 1858. Japonisme was first described by French art critic and collector Philippe Burty in 1872.

While the effects of the trend were likely most pronounced in the visual arts, they extended to architecture, landscaping and gardening, and clothing. Even the performing arts were affected; Gilbert and Sullivan's The Mikado is perhaps the best example.

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Japanese art in the context of Still life paintings by Vincent van Gogh (Paris)

Still life paintings by Vincent van Gogh (Paris) is the subject of many drawings, sketches and paintings by Vincent van Gogh in 1886 and 1887 after he moved to Montmartre in Paris from the Netherlands. While in Paris, Van Gogh transformed the subjects, color and techniques that he used in creating still life paintings.

He saw the work and met the founders and key artists of Impressionism, Pointillism and other movements and began incorporating what he learned into his work. Japanese art, ukiyo-e, and woodblock prints also influenced his approach to composition and painting.

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Japanese art in the context of Art déco

Art Deco, short for the French Arts décoratifs (lit.'Decorative Arts'), is a style of visual arts, architecture, and product design that first appeared in Paris in the 1910s just before World War I and flourished internationally during the 1920s to early 1930s, through styling and design of the exterior and interior of anything from large structures to small objects, including clothing, fashion, and jewelry. Art Deco has influenced buildings from skyscrapers to cinemas, bridges, ocean liners, trains, cars, trucks, buses, furniture, and everyday objects, including radios and vacuum cleaners.

The name Art Deco came into use after the 1925 Exposition internationale des arts décoratifs et industriels modernes (International Exhibition of Modern Decorative and Industrial Arts) held in Paris. It has its origin in the bold geometric forms of the Vienna Secession and Cubism. From the outset, Art Deco was influenced by the bright colors of Fauvism and the Ballets Russes, and the exoticized styles of art from China, Japan, India, Persia, ancient Egypt, and the Maya. In its time, Art Deco was tagged with other names such as style moderne, Moderne, modernistic, or style contemporain, and it was not recognized as a distinct and homogeneous style.

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Japanese art in the context of Manga

Manga (Japanese: 漫画; IPA: [maŋga] ) are comics or graphic novels originating from Japan. Most manga conform to a style developed in Japan in the late 19th century, and the form has a long history in earlier Japanese art. The term manga is used in Japan to refer to both comics and cartooning. Outside of Japan, the word is typically used to refer to comics originally published in Japan.

In Japan, people of all ages and walks of life read manga. The medium includes works in a broad range of genres: action, adventure, business and commerce, comedy, detective, drama, historical, horror, mystery, romance, science fiction and fantasy, erotica (hentai and ecchi), sports and games, and suspense, among others. Many manga are translated into other languages.

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