Jane Eyre (1943 film) in the context of "Jane Eyre (character)"

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⭐ Core Definition: Jane Eyre (1943 film)

Jane Eyre is a 1943 American film adaptation of Charlotte Brontë's 1847 novel of the same name, released by 20th Century Fox. It was directed by Robert Stevenson and produced by the uncredited Kenneth Macgowan and Orson Welles; Welles also stars in the film as Edward Rochester, with Joan Fontaine playing the title character.

The screenplay was written by John Houseman, Aldous Huxley, and director Robert Stevenson. The musical score was composed and conducted by Bernard Herrmann, and the cinematography was by George Barnes.

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Jane Eyre (1943 film) in the context of Mr Rochester

Edward Fairfax Rochester (often referred to as Mr Rochester) is a character in Charlotte Brontë's 1847 novel Jane Eyre. The brooding master of Thornfield Hall, Rochester is the employer and eventual husband of the novel's titular protagonist, Jane Eyre. He is regarded as an archetypal Byronic hero.

Actors who have portrayed Rochester on screen include Orson Welles (1943), Stanley Baker (1956), Timothy Dalton (1983), William Hurt (1996), Ciarán Hinds (1997), Toby Stephens (2006) and Michael Fassbender (2011).

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Jane Eyre (1943 film) in the context of Bernard Herrmann

Bernard Herrmann (born Maximillian Herman; June 29, 1911 – December 24, 1975) was an American composer and conductor best known for his work in film scoring. As a conductor, he championed the music of lesser-known composers. He is widely regarded as one of the greatest film composers. Alex Ross writes that "Over four decades, he revolutionized movie scoring by abandoning the illustrative musical techniques that dominated Hollywood in the 1930s and imposing his own peculiar harmonic and rhythmic vocabulary."

An Academy Award-winner for The Devil and Daniel Webster (1941), Herrmann worked in radio drama, composing for Orson Welles's The Mercury Theater on the Air, and his first film score was for Welles's film debut, Citizen Kane (1941). He is known for his collaborations with Alfred Hitchcock, notably The Man Who Knew Too Much (1956) (where he makes a cameo as the conductor at Royal Albert Hall), Vertigo (1958), North by Northwest (1959), Psycho (1960), The Birds (1963) (as "sound consultant") and Marnie (1964) . His other credits include Jane Eyre (1943), Anna and the King of Siam (1946), The Ghost and Mrs. Muir (1947), The Day the Earth Stood Still (1951), Cape Fear (1962), Fahrenheit 451 (1966) and Twisted Nerve (1968). Herrmann scored films that were inspired by Hitchcock, like François Truffaut's The Bride Wore Black (1968) and Brian De Palma's Sisters (1972) and Obsession (1976). He composed the scores for several fantasy films by Ray Harryhausen, and composed for television, including Have Gun – Will Travel and Rod Serling's The Twilight Zone. His last score, recorded shortly before his death, was for Martin Scorsese's Taxi Driver (1976).

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Jane Eyre (1943 film) in the context of Robert Stevenson (filmmaker)

Robert Edward Stevenson (31 March 1905 – 30 April 1986) was a British-American screenwriter and film director.

After directing a number of British films, including King Solomon's Mines (1937), he was contracted by David O. Selznick and moved to Hollywood, but was loaned to other studios, directing Jane Eyre (1943). He directed 19 live-action films for The Walt Disney Company in the 1950s, 1960s and 1970s.

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