Jane Austen in the context of "Wit"

Literary fiction—also called serious fiction, high literature, artistic literature, or sometimes just literature, encompasses fiction that is more character-driven than plot-driven, examines the human condition, or is considered serious art by critics. These labels are typically used in contrast to genre fiction, which refers to books that fit into established categories of the book trade and place more value on entertainment and appealing to a mass audience. Literary fiction can also be called non-genre fiction and is often considered to have more artistic merit than popular genre fiction.

Some categories of literary fiction, such as historical fiction, magic realism, autobiographical novels, and encyclopedic novels, are frequently called genres without being considered genre fiction. Some authors are seen as writing literary equivalents or precursors to established genres while still maintaining the division between commercial and literary fiction. Examples include the literary romance of Jane Austen and the speculative fiction of Margaret Atwood. Some critics and genre authors have argued for even greater overlap between literary and commercial fiction, noting that major literary figures have used elements of popular genres—such as science fiction, crime fiction, and romance—to create works of literature. The slipstream genre is sometimes described as falling between the genre fiction and non-genre fiction.

Persuasion or persuasion arts is an umbrella term for influence. Persuasion can influence a person's beliefs, attitudes, intentions, motivations, or behaviours.

Persuasion is studied in many disciplines. Rhetoric studies modes of persuasion in speech and writing and is often taught as a classical subject. Psychology looks at persuasion through the lens of individual behaviour and neuroscience studies the brain activity associated with this behaviour. History and political science are interested in the role of propaganda in shaping historical events. In business, persuasion is aimed at influencing a person's (or group's) attitude or behaviour towards some event, idea, object, or another person (s) by using written, spoken, or visual methods to convey information, feelings, or reasoning, or a combination thereof. Persuasion is also often used to pursue personal gain, such as election campaigning, giving a sales pitch, or in trial advocacy. Persuasion can also be interpreted as using personal or positional resources to change people.

A romance or romantic novel is a genre fiction work focused on the relationship and romantic love between two people, often concluding with an emotionally satisfying or optimistic ending. Authors who have significantly contributed to the development of this genre include Samuel Richardson, Frances Burney, Maria Edgeworth, Jane Austen, Charlotte Brontë, Emily Brontë, and Anne Brontë.

Romance novels can encompass various subgenres, such as fantasy, contemporary, historical romance, paranormal fiction, sapphic, and science fiction. They may also contain tropes such as enemies to lovers, second chance, and forced proximity. While women have traditionally been considered the primary readers of romance novels, a 2017 study commissioned by the Romance Writers of America found that men accounted for 18% of romance book buyers.

Richard Whately (1 February 1787 – 8 October 1863) was an English academic, rhetorician, logician, philosopher, economist, and theologian who also served as a reforming Church of Ireland Archbishop of Dublin. He was a leading Broad Churchman, a prolific and combative author over a wide range of topics, a flamboyant character, and one of the first reviewers to recognise the talents of Jane Austen.

Persuasion is the last novel completed by the English author Jane Austen. It was published on 20 December 1817, along with Northanger Abbey, six months after her death, although the title page is dated 1818.

The story concerns Anne Elliot, an Englishwoman of 27 years, whose family moves to Bath to lower their expenses and reduce their debt by renting their estate to an admiral and his wife. The wife's brother, Captain Frederick Wentworth, was engaged to Anne in 1806, but the engagement was broken when Anne was persuaded by her friends and family to end their relationship. Anne and Captain Wentworth, both single and unattached, meet again after a separation lasting almost eight years, setting the scene for a second, well-considered chance at love and marriage for Anne.

The Bibliothèque de la Pléiade ([bi.bli.jɔ.tɛk də la ple.jad], "Pleiades Library") is a French editorial collection which was created in 1931 by Jacques Schiffrin, an independent young editor. Schiffrin wanted to provide the public with reference editions of the complete works of classic authors in a pocket format. André Gide took an interest in Schiffrin's project and brought it into Gallimard, under which imprint it is still published.

The Pléiade has a strong emphasis on works that were originally written in French, though the collection also includes classics of world literature, such as bilingual editions of the works of William Shakespeare, or French editions of Jane Austen's work. To date, more than eight hundred books have been published in the series, with eleven books generally published every year. The "entry into the Pléiade" is considered a major sign of recognition for an author in France, and it is extremely rare that a living author is published in the Pléiade.

Contemporary romance is a subgenre of contemporary and romance novels. This era of romance novels that were published after 1945 and the Second World War. Contemporary romance is generally set contemporaneously with the time of its writing. The largest of the romance novel subgenres, contemporary romance novels usually reflect the mores of their time. Heroines in the contemporary romances written before 1970 usually quit working when they married or had children, while those novels written after 1970 usually have, and keep, a career. As contemporary romance novels have grown to contain more complex plotting and more realistic characters, the line between this subgenre and the genre of women's fiction has blurred.

Most contemporary romance novels contain elements that date the books, and the majority of them eventually become irrelevant to more modern readers and go out of print. Those that survive the test of time, such as the works of Jane Austen are often reclassified as historical romances. In a 2014 survey of romance readers, contemporary romance made up 41% of print and 44% of eBook sales compared to other romance subgenres.