James P. Johnson in the context of Stride (music)


James P. Johnson in the context of Stride (music)

⭐ Core Definition: James P. Johnson

James Price Johnson (February 1, 1894 – November 17, 1955) was an American pianist and composer. A pioneer of stride piano, he was one of the most important pianists in the early era of recording, and like Jelly Roll Morton, one of the key figures in the evolution of ragtime into what was eventually called jazz. Johnson was a major influence on Count Basie, Duke Ellington, Art Tatum, Thelonious Monk, and Fats Waller, who was his student.

Johnson composed many hit songs, including the unofficial anthem of the Roaring Twenties, "The Charleston", and he remained the acknowledged king of New York jazz pianists through most of the 1930s. Johnson's artistry, influence on early popular music, and contributions to musical theatre are often overlooked, and as such, he has been referred to by musicologist David Schiff as "The Invisible Pianist."

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James P. Johnson in the context of Charleston (dance)

The Charleston is a dance named after the harbor city of Charleston, South Carolina. The rhythm was popularized in mainstream dance music in the United States by a 1923 tune called "The Charleston" by composer/pianist James P. Johnson, which originated in the Broadway show Runnin' Wild and became one of the most popular hits of the decade. Runnin' Wild ran from 28 October 1923 through 28 June 1924. The Charleston dance's peak popularity occurred from mid-1926 to 1927.

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James P. Johnson in the context of Stride piano

Stride jazz piano, often shortened to stride, is a jazz piano style that arose from ragtime players. Prominent stride pianists include James P. Johnson, Willie "the Lion" Smith, Fats Waller, Luckey Roberts, and Mary Lou Williams.

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James P. Johnson in the context of Charleston (1923 song)

"The Charleston" is a jazz composition that was written to accompany the Charleston dance. It was composed in 1923, with lyrics by Cecil Mack and music by James P. Johnson, a composer and early leader of the stride piano school of jazz piano.

The song was featured in the American black Broadway musical comedy show Runnin' Wild, which had its premiere at the New Colonial Theatre in New York on October 29, 1923. The music of the dockworkers from South Carolina inspired Johnson to compose the music. The dance known as the Charleston came to characterize the times. Lyrics, though rarely sung (an exception is Chubby Checker's 1961 recording), were penned by Cecil Mack, himself one of the most accomplished songwriters of the early 1900s. The song's driving rhythm, basically the first bar of a 3 2 clave, came to have widespread use in jazz comping and musicians still reference it by name. Harmonically, the song features a five-chord ragtime progression (I-III7-VI7-II7-V7-I).

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