Jacques Aved in the context of Yirmisekizzade Mehmed Said Pasha


Jacques Aved in the context of Yirmisekizzade Mehmed Said Pasha

⭐ Core Definition: Jacques Aved

Jacques-André-Joseph Aved (12 January 1702 – 4 March 1766), also called le Camelot (The Hawker) and Avet le Batave (The Dutch Avet), was a French painter, renowned among the main Rococo portraitists in Paris during King Louis XV's reign. He painted among others the Ottoman Empire ambassador to France in 1742, Yirmisekizzade Mehmed Said Efendi.

His father was a physician and he was orphaned when he was a little boy. He was raised in Amsterdam by one of his uncles, who was a captain in the Dutch Army.

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Jacques Aved in the context of Jean-Philippe Rameau

Jean-Philippe Rameau (/rɑːˈm/; French: [ʒɑ̃filip ʁamo]; (1683-09-25)25 September 1683 – (1764-09-12)12 September 1764) was a French Baroque composer and music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer of his time for the harpsichord, alongside François Couperin.

Little is known about Rameau's early years. It was not until the 1720s that he won fame as a major theorist of music with his Treatise on Harmony (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe. He was almost 50 before he embarked on the operatic career on which his reputation chiefly rests today. His debut, Hippolyte et Aricie (1733), caused a great stir and was fiercely attacked by the supporters of Lully's style of music for its revolutionary use of harmony.

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