Ivan Albertovich Puni (Russian: Ива́н Альбе́ртович Пу́ни; also known as Jean Pougny; 3 April [O.S. 22 March] 1890 – 28 December 1956) was a Russian avant-garde (Suprematist, Cubo-Futurist) and French artist, who intensively changed his style until it went into lyric Primitivism in the direction of Pierre Bonnard and Edouard Vuillard.
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In this Dossier
Ivan Puni in the context of Suprematism
Suprematism (Russian: супремати́зм) is an early 20th-century art movement focused on the fundamentals of geometry (circles, squares, rectangles), painted in a limited range of colors. The term suprematism refers to an abstract art based upon "the supremacy of pure artistic feeling" rather than on the figurative depiction of real-life subjects.
Founded by Russian artist Kazimir Malevich in 1913, Supremus (Russian: Супремус) conceived of the artist as liberated from everything that predetermined the ideal structure of life and art. Projecting that vision onto Cubism, which Malevich admired for its ability to deconstruct art, and in the process change its reference points of art, he led a group of Russian avant-garde artists—including Aleksandra Ekster, Liubov Popova, Olga Rozanova, Ivan Kliun, Ivan Puni, Nadezhda Udaltsova, Nina Genke-Meller, Ksenia Boguslavskaya and others—in what has been described as the first attempt to independently found a Russian avant-garde movement, seceding from the trajectory of prior Russian art history.
Ivan Puni in the context of Ksenia Boguslavskaya
Kseniya (or Ksenia or Xenia) Boguslavskaya (Russian: Ксения Богуславская), also known as Xana Puni, (born 5 February [O.S. 24 January] 1892 in Odessa, died 3 May [O.S. 20 April] 1972 in Herblay-sur-Seine) was a Russian avant-garde artist (Futurist, Suprematist), illustrator and scenic designer. She was the wife of the painter Ivan Puni.