Italians in the context of "Neuroscientist"

Girolamo Francesco Maria Mazzola (11 January 1503 – 24 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (UK: /ˌpɑːrmɪdʒæˈniːnoʊ/, US: /-dʒɑːˈ-/, Italian: [parmidʒaˈniːno]; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes Vision of Saint Jerome (1527) and the iconic if somewhat anomalous Madonna with the Long Neck (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period.

His prodigious and individual talent has always been recognised, but his career was disrupted by war, especially the Sack of Rome in 1527, three years after he moved there, and then ended by his death at 37. He produced outstanding drawings, and was one of the first Italian painters to experiment with printmaking himself. While his portable works have always been keenly collected and are now in major museums in Italy and around the world, his two large projects in fresco are in a church in Parma and a palace in a small town nearby. This in conjunction with their lack of large main subjects has resulted in their being less well known than other works by similar artists. He painted a number of important portraits, leading a trend in Italy towards the three-quarters or full-length figure, previously mostly reserved for royalty.

San Marino is a small landlocked country with an area of about 61.2 km (23.6 sq mi) on a rocky promontory at an elevation of 657 meters (2,156 ft) in central Italy. In 2023, the population was 33,636. It is the third smallest country in Europe after Vatican City and Monaco. It is traditionally held to have been founded as a republic in 301 AD, was recognized by the Papacy in 1631, and became a member of the United Nations in 1992. As of 2009, the ethnic composition was about 84.95% Sammarinese, 14.6% Italians and others.

Christopher Columbus (/kəˈlʌmbəs/; between 25 August and 31 October 1451 – 20 May 1506) was an Italian explorer and navigator from the Republic of Genoa who completed four Spanish-based voyages across the Atlantic Ocean sponsored by the Catholic Monarchs, opening the way for the widespread European exploration and colonization of the Americas. His expeditions were the first known European contact with the Caribbean and Central and South America.

The name Christopher Columbus is the anglicization of the Latin Christophorus Columbus. Growing up on the coast of Liguria, he went to sea at a young age and traveled widely, as far north as the British Isles and as far south as what is now Ghana. He married Portuguese noblewoman Filipa Moniz Perestrelo, who bore a son, Diego, and was based in Lisbon for several years. He later took a Castilian mistress, Beatriz Enríquez de Arana, who bore a son, Ferdinand.

The Unification of Italy (Italian: Unità d'Italia [uniˈta ddiˈtaːlja]), also known as the Risorgimento (Italian: [risordʒiˈmento]; lit. 'Resurgence'), was the 19th century political and social movement that in 1861 ended in the annexation of various states of the Italian peninsula and its outlying isles to the Kingdom of Sardinia, resulting in the creation of the Kingdom of Italy. Inspired by the rebellions in the 1820s and 1830s against the outcome of the Congress of Vienna, the unification process was precipitated by the Revolutions of 1848, and reached completion in 1870 after the capture of Rome and its designation as the capital of the Kingdom of Italy.

Individuals who played a major part in the struggle for unification and liberation from foreign domination included King Victor Emmanuel II; politician, economist and statesman Camillo Benso, Count of Cavour; general Giuseppe Garibaldi; and journalist and politician Giuseppe Mazzini. Borrowing from the old Latin title Pater Patriae of the Roman emperors, the Italians gave to King Victor Emmanuel II the epithet of Father of the Fatherland (Italian: Padre della Patria). Even after 1870, many ethnic Italian-speakers (Italians in Trentino-Alto Adige/Südtirol, Savoyard Italians, Corfiot Italians, Niçard Italians, Swiss Italians, Corsican Italians, Maltese Italians, Istrian Italians, and Dalmatian Italians) remained outside the borders of the Kingdom of Italy, planting the seeds of Italian irredentism.

The high medieval Kingdom of Hungary was a regional power in central Europe. It came into existence in Central Europe when Stephen I, Grand Prince of the Hungarians, was crowned king in 1000 or 1001. He reinforced central authority and forced his subjects to accept Christianity. Although all written sources emphasize only the role played by German and Italian knights and clerics in the process, a significant part of the Hungarian vocabulary for agriculture and religion was taken from Slavic languages. Civil wars and pagan uprisings, along with attempts by the Holy Roman emperors to expand their authority over Hungary, jeopardized the new monarchy. The monarchy stabilized during the reigns of Ladislaus I (1077–1095) and Coloman (1095–1116). These rulers occupied Croatia and Dalmatia with the support of a part of the local population. Both realms retained their autonomous position. The successors of Ladislaus and Coloman—especially Béla II (1131–1141), Béla III (1176–1196), Andrew II (1205–1235), and Béla IV (1235–1270)—continued this policy of expansion towards the Balkan Peninsula and the lands east of the Carpathian Mountains, transforming their kingdom into one of the major powers of medieval Europe.

Rich in uncultivated lands, silver, gold, and salt deposits, Hungary became the preferred destination of mainly German, Italian, and French colonists. These immigrants were mostly peasants who settled in villages, but some were craftsmen and merchants, who established most of the cities of the Kingdom. Their arrival played a key role in the shaping of an urban lifestyle, habits, and culture in medieval Hungary. The location of the kingdom at the crossroads of international trade routes favored the coexistence of several cultures. Romanesque, Gothic, and Renaissance buildings and literary works written in Latin prove the predominantly Roman Catholic character of the culture; but Orthodox, and even non-Christian ethnic minority communities also existed. Latin was the language of legislation, administration and the judiciary, but "linguistic pluralism" contributed to the survival of many tongues, including a great variety of Slavic dialects.

The Sack of Rome, then part of the Papal States, followed the capture of Rome on 6 May 1527 by the mutinous troops of Charles V, Holy Roman Emperor, during the War of the League of Cognac. Charles V only intended to threaten military action to make Pope Clement VII come to his terms. However, most of the Imperial army (14,000 Germans, including Lutherans, 6,000 Spaniards and some Italians) were largely unpaid. Despite being ordered not to storm Rome, they broke into the scarcely defended city and began looting, killing, and holding citizens for ransom without any restraint. Clement VII took refuge in Castel Sant'Angelo after the Swiss Guard were annihilated in a delaying rear guard action; he remained there until a ransom was paid to the pillagers.

Benvenuto Cellini, eyewitness to the events, described the sack in his works. It was not until February 1528 that the spread of a plague and the approach of the League forces under Marshal of France Odet de Foix forced the army to withdraw towards Naples from the city. Rome's population had dropped from 55,000 to 10,000 due to the atrocities, famine, an outbreak of plague, and flight from the city. The subsequent loss of the League army during the Siege of Naples secured a victory in the War of the League of Cognac for Charles V. The Emperor denied responsibility for the sack and came to terms again with Clement VII. On the other hand, the Sack of Rome further exacerbated religious hatred and antagonism between Catholics and Lutherans.

The Italian diaspora (Italian: emigrazione italiana, pronounced [emiɡratˈtsjoːne itaˈljaːna]) is the large-scale emigration of Italians from Italy.

There were two major Italian diasporas in Italian history. The first diaspora began around 1880, two decades after the Unification of Italy, and ended in the 1920s to the early 1940s with the rise of Fascist Italy. Poverty was the main reason for emigration, specifically the lack of land as mezzadria sharecropping flourished in Italy, especially in the South, and property became subdivided over generations. Especially in Southern Italy, conditions were harsh. From the 1860s to the 1950s, Italy was still a largely rural society with many small towns and cities having almost no modern industry and in which land management practices, especially in the South and the Northeast, did not easily convince farmers to stay on the land and to work the soil. Another factor was related to the overpopulation of Italy as a result of the improvements in socioeconomic conditions after Unification. That created a demographic boom and forced the new generations to emigrate en masse in the late 19th century and the early 20th century, mostly to the Americas. The new migration of capital created millions of unskilled jobs around the world and was responsible for the simultaneous mass migration of Italians searching for "bread and work" (Italian: pane e lavoro, pronounced [ˈpaːne e llaˈvoːro]).

Carlo Maderno or Maderna (1556 – 31 January 1629) was an Italian architect, born in today's Ticino, Switzerland, who is remembered as one of the fathers of Baroque architecture. His façades of Santa Susanna, St. Peter's Basilica, and Sant'Andrea della Valle were of key importance in the evolution of the Italian Baroque. He often is referred to as the brother of sculptor Stefano Maderno, but this is not universally agreed upon.

Gian Lorenzo (or Gianlorenzo) Bernini (UK: /bɛərˈniːni/, US: /bərˈ-/; Italian: [ˈdʒan loˈrɛntso berˈniːni]; Italian Giovanni Lorenzo; 7 December 1598 – 28 November 1680) was an Italian sculptor, architect, painter and city planner. Bernini's creative abilities and mastery in a range of artistic arenas define him as a uomo universale or Renaissance man. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture.

As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter (mostly small canvases in oil) and a man of the theatre: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches.

Giovanni di Pietro di Bernardone (c. 1181 – 3 October 1226), known as Francis of Assisi, was an Italian mystic, poet and Catholic friar who founded the religious order of the Franciscans. Inspired to lead a Christian life of poverty, he became a beggar and an itinerant preacher.

One of the most venerated figures in Christianity, Francis was canonized by Pope Gregory IX on 16 July 1228. He is commonly portrayed wearing a brown habit with a rope tied around his waist, featuring three knots symbolizing the evangelical counsels of poverty, chastity, and obedience.