Terra sigillata in the context of "Ancient Roman pottery"

⭐ In the context of ancient Roman pottery, *terra sigillata* is considered…

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⭐ Core Definition: Terra sigillata

Terra sigillata is a term with at least three distinct meanings: as a description of medieval medicinal earth; in archaeology, as a general term for some of the fine red ancient Roman pottery with glossy surface slips made in specific areas of the Roman Empire; and more recently, as a description of a contemporary studio pottery technique supposedly inspired by ancient pottery. Usually roughly translated as 'sealed earth', the meaning of 'terra sigillata' is 'clay bearing little images' (latin sigilla), not 'clay with a sealed (impervious) surface'. The archaeological term is applied, however, to plain-surfaced pots as well as those decorated with figures in relief, because it does not refer to the decoration but to the makers stamp impressed in the bottom of the vessel.

Terra sigillata as an archaeological term refers chiefly to a specific type of plain and decorated tableware made in Italy and in Gaul (France and the Rhineland) during the Roman Empire. These vessels have glossy surface slips ranging from a soft lustre to a brilliant glaze-like shine, in a characteristic colour range from pale orange to bright red; they were produced in standard shapes and sizes and were manufactured on an industrial scale and widely exported. The sigillata industries grew up in areas where there were existing traditions of pottery manufacture, and where the clay deposits proved suitable. The products of the Italian workshops are also known as Aretine ware from Arezzo and have been collected and admired since the Renaissance. The wares made in the Gaulish factories are often referred to by English-speaking archaeologists as samian ware. Closely related pottery fabrics made in the North African and Eastern provinces of the Roman Empire are not usually referred to as terra sigillata, but by more specific names, e.g. African red slip wares. All these types of pottery are significant for archaeologists: they can often be closely dated, and their distribution casts light on aspects of the ancient Roman economy.

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👉 Terra sigillata in the context of Ancient Roman pottery

Pottery was produced in enormous quantities in ancient Rome, mostly for utilitarian purposes. It is found all over the former Roman Empire and beyond. Monte Testaccio is a huge waste mound in Rome made almost entirely of broken amphorae used for transporting and storing liquids and other products – in this case probably mostly Spanish olive oil, which was landed nearby, and was the main fuel for lighting, as well as its use in the kitchen and washing in the baths.

It is usual to divide Roman domestic pottery broadly into coarse wares and fine wares, the former being the everyday pottery jars, dishes and bowls that were used for cooking or the storage and transport of foods and other goods, and in some cases also as tableware, and which were often made and bought locally. Fine wares were serving vessels or tableware used for more formal dining, and are usually of more decorative and elegant appearance. Some of the most important of these were made at specialised pottery workshops, and were often traded over substantial distances, not only within, but also between, different provinces of the Roman Empire. For example, dozens of different types of British coarse and fine wares were produced locally, yet many other classes of pottery were also imported from elsewhere in the Empire. The manufacture of fine wares such as terra sigillata took place in large workshop complexes that were organised along industrial lines and produced highly standardised products that lend themselves well to precise and systematic classification.

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Terra sigillata in the context of Roman art

The art of Ancient Rome, and the territories of its Republic and later Empire, includes architecture, painting, sculpture and mosaic work. Luxury objects in metal-work, gem engraving, ivory carvings, and glass are sometimes considered to be minor forms of Roman art, although they were not considered as such at the time. Sculpture was perhaps considered as the highest form of art by Romans, but figure painting was also highly regarded. A very large body of sculpture has survived from about the 1st century BC onward, though very little from before, but very little painting remains, and probably nothing that a contemporary would have considered to be of the highest quality.

Ancient Roman pottery was not a luxury product, but a vast production of "fine wares" in terra sigillata were decorated with reliefs that reflected the latest taste, and provided a large group in society with stylish objects at what was evidently an affordable price. Roman coins were an important means of propaganda, and have survived in enormous numbers.

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Terra sigillata in the context of African red slip ware

African red slip ware, also African Red Slip or ARS, is a category of terra sigillata, or "fine" Ancient Roman pottery produced from the mid-1st century AD into the 7th century in the province of Africa Proconsularis, specifically that part roughly coinciding with the modern country of Tunisia and the Diocletianic provinces of Byzacena and Zeugitana. It is distinguished by a thick-orange red slip over a slightly granular fabric. Interior surfaces are completely covered, while the exterior can be only partially slipped, particularly on later examples.

By the 3rd century AD, African red slip appears on sites throughout the Mediterranean and in the major cities of Roman Europe. It was the most widely distributed representative of the sigillata tradition in the late-Roman period, and occasional imports have been found as far afield as Britain in the 5th-6th centuries. African red slip ware was still widely distributed in the 5th century but after that time the volume of production and trade may well have declined. While the latest forms continued into the 7th century and are found in such major cities as Constantinople and Marseille, the breakup of commercial contacts that typified the later 7th century coincides with the final decline of the African red slip industry.

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Terra sigillata in the context of Arikamedu

Arikamedu is an archaeological site in Southern India, in Kakkayanthope, Ariyankuppam Commune, Puducherry. It is 4 kilometres (2.5 mi) from the capital, Pondicherry of the Indian territory of Puducherry.

Sir Mortimer Wheeler 1945, and Jean-Marie Casal conducted archaeological excavations there in 1947–1950. The site was identified as the port of Podouke, known as an "emporium" in the Periplus of the Erythraean Sea and Ptolemy. Digs have found Amphorae, Arretine ware, Roman lamps, glassware, glass and stone beads, and gems at the site. Based on these excavations, Wheeler concluded that the Arikamedu was a Greek (Yavana) trading post that traded with Rome, starting during the reign of Augustus Caesar, and lasted about two hundred years—from the late first century BCE to the first and second centuries CE. Subsequent investigation by Vimala Begley from 1989 to 1992 modified this assessment, and now place the period of settlement from the 2nd century BCE to the 8th century CE.

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Terra sigillata in the context of Sigillaria (ancient Rome)

In ancient Roman culture, sigillaria were pottery or wax figurines given as traditional gifts during the Saturnalia. Sigillaria as a proper noun was also the name for the last day of the Saturnalia, December 23, and for a place where sigillaria were sold. A sigillarius was a person who made and sold sigillaria, perhaps as an offshoot of pottery manufacture.

The Via Sigillaria in Rome was a street dedicated to manufacturing and selling these gifts.

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