Islamic culture in the context of "Hyderabad"

Islamic literature is literature written by Muslim people, influenced by an Islamic cultural perspective, or literature that portrays Islam. It can be written in any language and portray any country or region. It includes many literary forms including adabs, a non-fiction form of Islamic advice literature, and various fictional literary genres.

The Abbasid Caliphate or Abbasid Empire was the third Islamic caliphate, founded by a descendant of Muhammad's uncle, Abbas ibn Abd al-Muttalib (566–653 CE), from whom the dynasty derives its name. The preceding Umayyad Caliphate was overthrown by the Abbasid Revolution in 750 CE (132 AH), after which the Abbasids ruled as caliphs from their base in Iraq, with Baghdad as their capital for most of their history.

The Abbasid Revolution had its origins and first successes in the easterly region of Khurasan, far from the Levantine center of Umayyad influence. The Abbasids first centered their government in Kufa, Iraq, but in 762 the second caliph al-Mansur founded the city of Baghdad and made it the capital. Baghdad became a center of science, culture, arts, and invention, ushering in what became known as the Golden Age of Islam. Baghdad housed several key academic institutions, such as the House of Wisdom, and along with its multi-ethnic and multi-religious population, made the city famous as a centre of learning across the world. The Abbasid period was marked by the use of bureaucrats in the government, including the vizier, as well as an in the ummah (Muslim community) and among the political elites.

A Study of History is a 12-volume universal history by the British historian Arnold J. Toynbee, published from 1934 to 1961. It received enormous popular attention but according to historian Richard J. Evans, "enjoyed only a brief vogue before disappearing into the obscurity in which it has languished". Toynbee's goal was to trace the development and decay of 19 or 21 world civilizations in the historical record, applying his model to each of these civilizations, detailing the stages through which they all pass: genesis, growth, time of troubles, universal state, and disintegration.

The 19 (or 21) major civilizations, as Toynbee sees them, are: Egyptian, Andean, Sumerian, Babylonic, Hittite, Minoan, Indic, Hindu, Syriac, Hellenic, Western, Orthodox Christian (having two branches: the main or Byzantine body and the Russian branch), Far Eastern (having two branches: the main or Chinese body and the Japanese-Korean branch), Islamic (having two branches which later merged: Arabic and Iranic), Mayan, Mexican and Yucatec. Moreover, there are three "abortive civilizations" (Abortive Far Western Christian, Abortive Far Eastern Christian, Abortive Scandinavian) and five "arrested civilizations" (Polynesian, Eskimo, Nomadic, Ottoman, Spartan), for a total of 27 or 29.

Medina, officially al-Madinah al-Munawwarah, also known as Taybah and known in pre-Islamic times as Yathrib, is the capital and administrative centre of Medina Province in the Hejaz region of western Saudi Arabia. It is one of the oldest and most important places in Islamic history. The second holiest city in Islam, the population as of 2022 is 1,477,023, making it the fourth-most populous city in the country. Around 58.5% of the population are Saudi citizens and 41.5% are foreigners. Located at the core of the Medina Province in the western reaches of the country, the city is distributed over 589 km (227 sq mi), of which 293 km (113 sq mi) constitutes the city's urban area, while the rest is occupied by the Hejaz Mountains, empty valleys, agricultural spaces and older dormant volcanoes.

Medina is generally considered to be the "cradle of Islamic culture and civilization". The city is considered to be the second-holiest of three key cities in Islamic tradition, with Makkah and Jerusalem serving as the holiest and third-holiest cities respectively. Al-Masjid al-Nabawi (lit. 'The Prophet's Mosque') is of exceptional importance in Islam and serves as burial site of the prophet Muhammad, by whom the mosque was built in 622 CE (first year of the Hijrah). Observant Muslims usually visit his tomb, or rawdhah, at least once in their lifetime during a pilgrimage known as Ziyarat, although this is not obligatory. The original name of the city before the advent of Islam was Yathrib (Arabic: يَثْرِب), and it is referred to by this name in Chapter 33 (Al-Aḥzāb, lit. 'The Confederates') of the Quran. It was renamed to Madīnat an-Nabī (lit. 'City of the Prophet' or 'The Prophet's City') after and later to al-Madinah al-Munawwarah (lit. 'The Enlightened City') before being simplified and shortened to its modern name, Madinah (lit. 'The City'), from which the English-language spelling of "Medina" is derived. Saudi road signage uses Madinah and al-Madinah al-Munawwarah interchangeably.

Gender roles in Islam are based on scriptures, cultural traditions, and jurisprudence.

The Quran, the holy book of Islam, indicates that both men and women are spiritually equal. The Quran states:

The Sahabah (Arabic: اَلصَّحَابَةُ, romanized: aṣ-ṣaḥāba, lit. 'the companions'), also known as the Companions of Muhammad, were the Muslim disciples and followers of the Islamic prophet Muhammad who saw or met him during his lifetime. The companions played a major role in Muslim battles, society, hadith narration, and governance during and after the life of Muhammad. The era of the companions began following the death of Muhammad in 632 CE, and ended in 110 AH (728 CE) when the last companion Abu al-Tufayl died.

Later Islamic scholars accepted their testimony of the words and deeds of Muhammad, the occasions on which the Quran was revealed and other important matters in Islamic history and practice. The testimony of the companions, as it was passed down through trusted chains of narrators (asānīd), was the basis of the developing Islamic tradition. From the traditions (hadith) of the life of Muhammad and his companions are drawn the Muslim way of life (sunnah), the code of conduct (sharia) it requires, and Islamic jurisprudence (fiqh).

A hammam (Arabic: حمّام, romanized: ḥammām), also often called a Turkish bath by Westerners, is a type of steam bath or a place of public bathing associated with the Islamic world. It is a prominent feature in the culture of the Muslim world and was inherited from the model of the Roman thermae. Muslim bathhouses or hammams were historically found across the Middle East, North Africa, al-Andalus (Islamic Iberia, i.e. Spain and Portugal), Central Asia, the Indian subcontinent, and in Southeastern Europe (notably Balkans and Hungary) under Ottoman rule.

In Islamic cultures the significance of the hammam was both religious and civic: it provided for the needs of ritual ablutions but also provided for general hygiene in an era before private plumbing and served other social functions such as offering a gendered meeting place for men and for women. Archeological remains attest to the existence of bathhouses in the Islamic world as early as the Umayyad period (7th–8th centuries) and their importance has persisted up to modern times. Their architecture evolved from the layout of Roman and Greek bathhouses and featured a regular sequence of rooms: an undressing room, a cold room, a warm room, and a hot room. Heat was produced by furnaces which provided hot water and steam, while smoke and hot air was channeled through conduits under the floor.

Islamic art is a part of Islamic culture and encompasses the visual arts produced since the 7th century CE by people who lived within territories inhabited or ruled by Muslim populations. Referring to characteristic traditions across a wide range of lands, periods, and genres, Islamic art is a concept used first by Western art historians in the late 19th century. Public Islamic art is traditionally non-representational, except for the widespread use of plant forms, usually in varieties of the spiralling arabesque. These are often combined with Islamic calligraphy, geometric patterns in styles that are typically found in a wide variety of media, from small objects in ceramic or metalwork to large decorative schemes in tiling on the outside and inside of large buildings, including mosques. Other forms of Islamic art include Islamic miniature painting, artefacts like Islamic glass or pottery, and textile arts, such as carpets and embroidery.

The early developments of Islamic art were influenced by Roman art, Early Christian art (particularly Byzantine art), and Sassanian art, with later influences from Central Asian nomadic traditions. Chinese art had a significant influence on Islamic painting, pottery, and textiles. From its beginnings, Islamic art has been based on the written version of the Quran and other seminal religious works, which is reflected by the important role of calligraphy, representing the word as the medium of divine revelation.