Isfahan, Iran in the context of "Naqsh-e Jahan Square"

Play Trivia Questions online!

or

Skip to study material about Isfahan, Iran in the context of "Naqsh-e Jahan Square"

Ad spacer

⭐ Core Definition: Isfahan, Iran

Isfahan or Esfahan (Persian: اصفهان [esfæˈhɒːn] ) is a city in the Central District of Isfahan County, Isfahan province, Iran. It is the capital of the province, the county, and the district. It is located 440 kilometres (270 miles) south of Tehran. The city has a population of approximately 2,238,000, making it the fourth-most populous city in Iran, after Tehran, Mashhad and Karaj, and the second-largest metropolitan area.

Isfahan is located at the intersection of the two principal routes that traverse Iran, north–south and east–west. Isfahan flourished between the 9th and 18th centuries. Under the Safavid Empire, Isfahan became the capital of Iran, for the second time in its history, under Abbas the Great. It is known for its PersianMuslim architecture, grand boulevards, covered bridges, palaces, tiled mosques, and minarets. Isfahan also has many historical buildings, monuments, paintings, and artifacts. The fame of Isfahan led to the Persian proverb Esfahān nesf-e-jahān ast ('Isfahan is half the world'). Naqsh-e Jahan Square in Isfahan is one of the largest city squares in the world, and a UNESCO World Heritage Site.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<
In this Dossier

Isfahan, Iran in the context of Aniconism in Islam

In some forms of Islamic art, aniconism (the avoidance of images of sentient beings) stems in part from the prohibition of idolatry and in part from the belief that the creation of living forms is God's prerogative.

The Quran itself does not prohibit visual representation of any living being. The hadith collection of Sahih Bukhari explicitly prohibits the making of images of living beings, challenging painters who "breathe life" into their images and threatening them with punishment on the Day of Judgment. Muslims have interpreted these prohibitions in different ways in different times and places. Religious Islamic art has been typically characterized by the absence of figures and extensive use of calligraphic, geometric and abstract floral patterns.

↑ Return to Menu