Homeric Greek is the form of the Greek language that was used in the Iliad, Odyssey, and Homeric Hymns. It is a literary dialect of Ancient Greek consisting mainly of an archaic form of Ionic, with some Aeolic forms, a few from Arcadocypriot, and a written form influenced by Attic. It was later named Epic Greek because it was used as the language of epic poetry, typically in dactylic hexameter, by poets such as Hesiod and Theognis of Megara. Some compositions in Epic Greek date from as late as the 5th century [AD], and it only fell out of use by the end of classical antiquity.
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👉 Epic Greek in the context of Polyphemus
Polyphemus (/ˌpɒliˈfiːməs/ ; Ancient Greek: Πολύφημος, romanized: Polyphēmos, Epic Greek: [polypʰɛːmos]; Latin: Polyphēmus [pɔlʏˈpʰeːmʊs]) is the one-eyed giant son of Poseidon and Thoosa in Greek mythology, one of the Cyclopes described in Homer's Odyssey. His name means "abounding in songs and legends", "many-voiced" or "very famous". Polyphemus first appeared as a savage man-eating giant in the ninth book of the Odyssey. The satyr play Cyclops by Euripides is dependent on this episode apart from one detail: Polyphemus is made a pederast in the play. Later Classical writers presented him in their poems as heterosexual and linked his name with the nymph Galatea. Often he was portrayed as unsuccessful in these, and as unaware of his disproportionate size and musical failings. In the work of even later authors, however, he is presented as both a successful lover and skilled musician. From the Renaissance on, art and literature reflect all of these interpretations of the giant.
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Epic Greek in the context of Aita
Aita (Etruscan: 𐌀𐌕𐌉𐌀), also spelled Eita (Etruscan: 𐌀𐌕𐌉𐌄), is an epithet of the Etruscan chthonic fire god Śuri as god of the underworld, roughly equivalent to the Greek god Hades (Epic Greek: Ἄϊδης, romanized: Áïdēs).