Interpersonal attraction in the context of "Sexual attractiveness"

Romance or romantic love is a feeling of strong attraction towards another person, the mental state of being "in love" focused towards forming a relationship (or pair bond), the courtship behaviors undertaken by an individual to express those feelings and resultant emotions, and the practice of initiating relationships based on passionate feelings over more practical or ordinary concerns. Romantic love is considered to be a motivation or drive, which is distinct from (but related to) the concept of attachment.

Collins Dictionary defines romantic love as "an intensity and idealization of a love relationship, in which the other is imbued with extraordinary virtue, beauty, etc., so that the relationship overrides all other considerations, including material ones." The concept of romantic love also came to represent the idea of individualistic choice in marriage and sexual partners, although it's rarely realized fully and can be a source of both gratification and disappointment in relationships. The terms "romance" and "romantic love" are used with multiple definitions, which can be contradictory at times.

In any narrative, the focal character is the character on whom the audience is meant to place the majority of their interest and attention. They are almost always also the protagonist of the story; however, in cases where the "focal character" and "protagonist" are separate, the focal character's emotions and ambitions are not meant to be empathized with by the audience to as high an extent as the protagonist (this is the main difference between the two character terms). The focal character is mostly created to simply be the "excitement" of the story, though not necessarily the main character about whom the audience is emotionally concerned. The focal character is, more than anyone else, "the person on whom the spotlight focuses; the center of attention; the man whose reactions dominate the screen."

For example, in Gaston Leroux's The Phantom of the Opera, the protagonist is Christine Daaé (the audience is concerned mostly with her emotions, aims, and well-being), while the focal character is the "Phantom" (the audience is concerned mostly with the allure of his actions and reactions—though to some degree, later on, his emotions as well). In another example, in "The Fall of the House of Usher" by Edgar Allan Poe, the protagonist of the story is unnamed and does not have a great effect on the story, though he is present. He does not show much emotion throughout the story, and the reader is not as interested in him. The focal character of the story is Roderick Usher, whom the reader cares for more greatly and follows his condition and emotions more.

Sexual attraction is attraction on the basis of sexual desire or the quality of arousing such interest. Sexual attractiveness or sex appeal is an individual's ability to attract other people sexually, and is a factor in sexual selection or mate choice. The attraction can be to the physical or other qualities or traits of a person, or to such qualities in the context where they appear. The attraction may be to a person's aesthetics, movements, voice, among other things. The attraction may be enhanced by a person's body odor, sex pheromones, adornments, clothing, perfume or hair style. It can be influenced by individual genetic, psychological, or cultural factors, or to other, more amorphous qualities. Sexual attraction is also a response to another person that depends on a combination of the person possessing the traits and on the criteria of the person who is attracted.

Though attempts have been made to devise objective criteria of sexual attractiveness and measure it as one of several bodily forms of capital asset (e.g. erotic capital), a person's sexual attractiveness is to a large extent a subjective measure dependent on another person's interest, perception, and sexual orientation. For example, a gay or lesbian person would typically find a person of the same sex to be more attractive than one of the other sex. A bisexual person would find either sex to be attractive. Asexuality refers to those who do not experience sexual attraction for either sex, though they may have romantic attraction or a non-directed libido. Interpersonal attraction includes factors such as physical or psychological similarity, familiarity or possessing a preponderance of common or familiar features, similarity, complementarity, reciprocal liking, and reinforcement.

An intimate relationship is an interpersonal relationship that involves emotional or physical closeness between people and can include feelings of romantic or platonic love and sexual intimacy. Intimate relationships are interdependent, and the members of the relationship mutually influence each other. The quality and nature of the relationship depends on the interactions between individuals, and is derived from the unique context and history that builds between people over time. Social and legal institutions such as marriage acknowledge and uphold intimate relationships between people. However, intimate relationships are not necessarily monogamous or sexual, and there is wide social and cultural variability in the norms and practices of intimacy between people.

The course of an intimate relationship includes a formation period prompted by interpersonal attraction and a growing sense of closeness and familiarity. Intimate relationships evolve over time as they are maintained, and members of the relationship may become more invested in and committed to the relationship. Healthy intimate relationships are beneficial for psychological and physical well-being and contribute to overall happiness in life. However, challenges including relationship conflict, external stressors, insecurity, and jealousy can disrupt the relationship and lead to distress and relationship dissolution.